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【Tags Gakupo Kaito Len haku natsuP tC S】 Original Music title 桜舞イ散リヌ-麗- English music title Cherry Blossoms Have Fallen -Elegant- Romaji music title Sakura Maichirinu -Rei-) Music Lyrics written, Voice edited by natsuP Music arranged by natsuP haku Singers Kaito, 神威がくぽ (Kamui Gakupo / Camui Gackpo / Gackpoid), 鏡音レン (Kagamine Len) Click here for the original Japanese Lyrics English Lyrics (translated by animeyay)： I wish we could meet again. When I have awakened from my dream, I smell a nostalgic flowery scent around me. My thoughts are still left behind in the place by me, even now... The wind, making my hair sway, gradually erases everything. If I could return to that time, I d give up everything, for I d no longer need anything. Towards a place far far away. I wish the two of us could bloom together until the time when our petals would scatter. Your fragments will dwell in this tree until everything completely withers away. Whenever it s your favorite season again, I will recall and reminisce, even though I already know that my feelings would not be returned no matter how much I pray. Thinking about you, I sing. I wish the two of us could bloom together until the time when our petals would scatter. Your fragments will dwell in this tree until everything completely withers away. As time flows by, even if your appearance should change, when I gaze at you, I ll see that you ve become a flower that will never bloom again, as though announcing your death and bidding to me farewell. Romaji lyrics (transliterated by animeyay)： MATA AERU TO NEGAI yume mezameta toki natsukashii hana no kaori hirogari omoi dake ano basho e okizari ni shita mama de BOKU WA... kaze ga kami o yurashi subete o keshisatte yuku ano koro ni modoreru nara subete o sashidashi nani mo iranai kara TOOI TOOI KANATA NO KANATA E hanabira hirari maiochite chiru toki made futari de sakitai kono ki ni yadoru kimi no kakera subete ga kuchihatete shimau made kimi no daisuki na kisetsu ga kuru tabi ni omoidasu kara negaeba negau hodo ni kanawanu omoi to shitte ita to shite mo ANATA O OMOI UTAU hanabira hirari maiochite chiru toki made futari de sakitai kono ki ni yadoru kimi no kakera subete ga kuchihatete shimau made toki ga nagare moshi sugata ga kawatte mo anata o mitsukeru to wakare o tsugeru ka no you ni mou sakanaku natte shimatta hana []
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UP CHAPTER II CHAPTER I Mrs. Rachel Lynde is Surprised 第1章 レイチェル・リンド夫人の驚き（松本訳） Mrs. Rachel Lynde lived just where the Avonlea main road dipped down into a little hollow, fringed with alders and ladies eardrops 「Rachel Lynde」松本訳注第1章(1) p. 449参照 「Avonlea」松本訳注第1章(2) p. 450参照 「alder」ハンノキ Alnus 写真はウィキペディアをどうぞ 「ladies eardrops」フクシア Fuchsia 写真はウィキペディアをどうぞ 「ladies eardrops」は、モードの手書き原稿では、「jewelweed」となっているそうです。薄荷さんの「完訳・赤毛のアン」フクシアの謎にありました。この完訳は松本訳のこと。プリンスエドワード島では野生のフクシアはない（野外では育たない）のではないか、ということのようです。jewelweed Impatiens capensis は東北大学のPlant Evolutionary Biology（植物進化生物学と訳せましょう）の研究室のウェブページにあるそうです（ちゃんとありました）。東北大学の英語版公式ページでPlant Evolutionary Biologyを標榜するのは牧研究室のようです and traversed by a brook that had its source away back in the woods of the old Cuthbert place; it was reputed to be an intricate, headlong brook in its earlier course through those woods, with dark secrets of pool and cascade; but by the time it reached Lynde s Hollow it was a quiet, well-conducted little stream, for not even a brook could run past Mrs. Rachel Lynde s door without due regard for decency and decorum; 「decency and decorum」どちらも、礼儀正しい、上品の意味。似た意味の言葉、しかも発音が似ている言葉を繰り返して、強調している。しつこくならないように和訳するのは難しいかも it probably was conscious that Mrs. Rachel was sitting at her window, keeping a sharp eye on everything that passed, from brooks and children up, and that if she noticed anything odd or out of place she would never rest until she had ferreted out the whys and wherefores thereof. 「ferret」捜し（探り）出す／（白イタチを使って）狩りをする。名詞の ferret は白イタチ。白イタチ（ferret）から連想する何かがあるのでしょうか。それともこういうときは、これが普通なのかしら 「the whys and wherefores」いろいろな理由／原因。これも似た意味の言葉、しかも発音が似ている言葉を繰り返し。ですが、常套句のようです There are plenty of people in Avonlea and out of it, who can attend closely to their neighbor s business by dint of neglecting their own; but Mrs. Rachel Lynde was one of those capable creatures who can manage their own concerns and those of other folks into the bargain. She was a notable housewife; her work was always done and well done; she "ran" the Sewing Circle, helped run the Sunday-school, and was the strongest prop of the Church Aid Society and Foreign Missions Auxiliary. Yet with all this Mrs. Rachel found abundant time to sit for hours at her kitchen window, 「Mrs. Rachel」First name だけに Mrs を付けるのは、学校では習わなかった気がしますが、『アン』にはたくさんでてきます knitting "cotton warp" quilts-- 「knitting "cotton warp" quilts」松本訳注第1章(3) p. 450参照 she had knitted sixteen of them, as Avonlea housekeepers were wont to tell in awed voices--and keeping a sharp eye on the main road that crossed the hollow and wound up the steep red hill beyond. Since Avonlea occupied a little triangular peninsula jutting out into the Gulf of St. Lawrence with water on two sides of it, 「the Gulf of St. Lawrence」松本訳注第1章(4) p. 450参照 anybody who went out of it or into it had to pass over that hill road and so run the unseen gauntlet of Mrs. Rachel s all-seeing eye. She was sitting there one afternoon in early June. The sun was coming in at the window warm and bright; the orchard on the slope below the house was in a bridal flush of pinky- white bloom, hummed over by a myriad of bees. Thomas Lynde-- a meek little man whom Avonlea people called "Rachel Lynde s husband"--was sowing his late turnip seed on the hill field beyond the barn; 「turnip」カブ Brassica rapa 写真はウィキペディア（英語版）にあります。たぶん今日本で栽培しているものよりも小さい and Matthew Cuthbert ought to have been sowing his on the big red brook field away over by Green Gables. 「Matthew Cuthbert」松本訳注第1章(5) p. 451参照 「Green Gables」松本訳注第1章(6) p. 451参照 Mrs. Rachel knew that he ought 「he ought」to have been sowing ... が省略されている because she had heard him tell Peter Morrison the evening before in William J. Blair s store over at Carmody that he meant to sow his turnip seed the next afternoon. Peter had asked him, of course, for Matthew Cuthbert had never been known to volunteer information about anything in his whole life. And yet here was Matthew Cuthbert, at half-past three on the afternoon of a busy day, placidly driving over the hollow and up the hill; moreover, he wore a white collar and his best suit of clothes, 「a white collar and his best suit of clothes」まさに一張羅。カラーを付けるというよりは、カラーのある服を着ているということではないかと思いますが……、どうなんでしょう、このころの男性ファッションは。カラーがセパレートなのはよっぽど大きなカラーということになろうかと思いますが。とすると、「白襟のシャツと最上の上着を着こみ」といったところでしょうか which was plain proof that he was going out of Avonlea; and he had the buggy 「buggy」二人乗りの馬車 and the sorrel mare, which betokened that he was going a considerable distance. Now, where was Matthew Cuthbert going and why was he going there? Had it been any other man in Avonlea, 「Had it been ...」仮定法 Mrs. Rachel, deftly putting this and that together, might have given a pretty good guess as to both questions. But Matthew so rarely went from home that it must be something pressing and unusual which was taking him; he was the shyest man alive and hated to have to go among strangers or to any place where he might have to talk. Matthew, dressed up with a white collar and driving in a buggy, was something that didn t happen often. Mrs. Rachel, ponder as she might, could make nothing of it and her afternoon s enjoyment was spoiled. "I ll just step over to Green Gables after tea 「after tea」ということは夕方。 and find out from Marilla where he s gone and why," 「Marilla」松本訳注第1章(7) p. 451参照 the worthy woman finally concluded. "He doesn t generally go to town this time of year and he NEVER visits; if he d run out of turnip seed he wouldn t dress up and take the buggy to go for more; he wasn t driving fast enough to be going for a doctor. Yet something must have happened since last night to start him off. I m clean puzzled, that s what, and I won t know a minute s peace of mind or conscience until I know what has taken Matthew Cuthbert out of Avonlea today." Accordingly after tea Mrs. Rachel set out; she had not far to go; the big, rambling, orchard-embowered house where the Cuthberts lived was a scant quarter of a mile up the road from Lynde s Hollow. To be sure, the long lane made it a good deal further. Matthew Cuthbert s father, as shy and silent as his son after him, had got as far away as he possibly could from his fellow men without actually retreating into the woods when he founded his homestead. 「when he founded his homestead」マシューのお父さんが開墾したようですね Green Gables was built at the furthest edge of his cleared land and there it was to this day, barely visible from the main road along which all the other Avonlea houses were so sociably situated. Mrs. Rachel Lynde did not call living in such a place LIVING at all. "It s just STAYING, that s what," she said as she stepped along the deep-rutted, grassy lane bordered with wild rose bushes. 「deep-rutted、grassy lane」深い轍のある、ということは、草の生えた小径とはいえ、普段馬車か荷車が通れるだけの幅がある。同じ lane でも Lover s Lane（恋人たちの小径（CHAPTER XV with impression? A Tempest in the School Teapot））は、普段は牛の歩くところなので、深い轍はなく狭い 「rose」Rosa sp. バラはややこしくてよくわかりません。ただ、俗称として wild rose というなら、花弁が八重ではないものでしょう。なので、例えば、こんな感じ "It s no wonder Matthew and Marilla are both a little odd, living away back here by themselves. Trees aren t much company, though dear knows if they were there d be enough of them. 「dear knows」= God knows 誰も知らない I d ruther look at people. To be sure, they seem contented enough; but then, I suppose, they re used to it. A body can get used to anything, even to being hanged, as the Irishman said." 「as the Irishman said」松本訳注第1章(8) p. 451参照 With this Mrs. Rachel stepped out of the lane into the backyard of Green Gables. Very green and neat and precise was that yard, set about on one side with great patriarchal willows 「willows」ヤナギ。Salix sp. ヤナギ属には大きなものから草丈ほどの小さなもの（極寒の種類らしい）もあるそうです。しかしここでは、家の主のような大きな木。写真はウィキペディア（英）、やウィキペディア（日）をどうぞ and the other with prim Lombardies. 「Lombardies」= Lombardy poplars セイヨウハコヤナギ。いわゆるポプラ。Populus nigra var. italica。 北海道大学のポプラ並木と同じ種類のようです。写真はウィキペディアにあります。ポプラもヤナギ科だとは知りませんでした。このイタリア原産の背の高いポプラのことをわざわざ Lombardies（複数なのは１本じゃないだけ）とするのは、ちょっと気取っているような気がしますが、気のせい？ Not a stray stick nor stone was to be seen, for Mrs. Rachel would have seen it if there had been. Privately she was of the opinion that Marilla Cuthbert swept that yard over as often as she swept her house. One could have eaten a meal off the ground without overbrimming the proverbial peck of dirt. 「the proverbial peck of dirt」松本訳注第1章(9) p. 452参照 Mrs. Rachel rapped smartly at the kitchen door and stepped in when bidden to do so. The kitchen at Green Gables was a cheerful apartment-- 「apartment」部屋 or would have been cheerful 「would have been cheerfu」仮定法 if it had not been so painfully clean as to give it something of the appearance of an unused parlor. Its windows looked east and west; through the west one, looking out on the back yard, came a flood of mellow June sunlight; but the east one, whence you got a glimpse of the bloom white cherry-trees in the left orchard 「white cherry-trees in the left orchard 」果樹園にある桜の木ということはサクランボの木。ですので、sour cherry Prunus cerasus ではないでしょうか。実の写真はウィキペディア（英）にあります。サクラ全般についてはウィキペディア（英）もどうぞ and nodding, slender birches down in the hollow by the brook, 「birch」カバ。ここでは幹の白いカバかと思います。このあと、何度も white birch が出てくるので。とすると、幹の白いカバは、Betula papyrifera。写真はウィキペディア（英）にあります。この白いカバの分布はeFloras.org（英）をどうぞ。日本のシラカバ（Betula platyphylla var. japonica）とは別種らしい（ウィキペディア（日）にはそうある。こちらにも写真はありますが、見た目はよくわかりません） was greened over by a tangle of vines. 「vine」つた、か何か、のツル植物。この記述だけではよくわかりません（やはりキャベンディッシュに行かないとわからないことがある……） Here sat Marilla Cuthbert, when she sat at all, always slightly distrustful of sunshine, which seemed to her too dancing and irresponsible a thing for a world which was meant to be taken seriously; and here she sat now, knitting, and the table behind her was laid for supper. 「supper」夕食。『赤毛のアン』では食事を表わす表現がいくつも出てきて、難しい。dinner、tea、supper、lunch。同じことをふたつで指すこともあって。朝食は breakfast だけですが Mrs. Rachel, before she had fairly closed the door, had taken a mental note of everything that was on that table. There were three plates laid, so that Marilla must be expecting some one home with Matthew to tea; 「tea」これは上で出てきた、supper を指す but the dishes were everyday dishes and there was only crab-apple preserves and one kind of cake, 「only crab-apple preserves」松本訳注第1章(10) p. 452参照 「crab-apple」野生のりんご。Malus sp. crabappleと呼ぶのはいろいろな種があるようですが、いずれも実の小さい野生りんご。写真はウィキペディア（英）にあります（わかりづらいかもしれません） so that the expected company could not be any particular company. Yet what of Matthew s white collar and the sorrel mare? Mrs. Rachel was getting fairly dizzy with this unusual mystery about quiet, unmysterious Green Gables. "Good evening, Rachel," Marilla said briskly. 「briskly」マリラがきびきびと答えを返しているので、このあとリンド夫人が体を心配しているというのが、ずれている感じを強調する "This is a real fine evening, isn t it? Won t you sit down? How are all your folks?" Something that for lack of any other name might be called friendship existed and always had existed between Marilla Cuthbert and Mrs. Rachel, in spite of--or perhaps because of--their dissimilarity. Marilla was a tall, thin woman, with angles and without curves; her dark hair showed some gray streaks and was always twisted up in a hard little knot behind with two wire hairpins stuck aggressively through it. She looked like a woman of narrow experience and rigid conscience, which she was; but there was a saving something about her mouth which, if it had been ever so slightly developed, might have been considered indicative of a sense of humor. このマリラの描写は、CHAPTER XXXIII with impression The Hotel Concert で比較される "We re all pretty well," said Mrs. Rachel. "I was kind of afraid YOU weren t, though, when I saw Matthew starting off today. I thought maybe he was going to the doctor s." Marilla s lips twitched understandingly. She had expected Mrs. Rachel up; she had known that the sight of Matthew jaunting off so unaccountably would be too much for her neighbor s curiosity. "Oh, no, I m quite well although I had a bad headache yesterday," she said. "Matthew went to Bright River. 「only crab-apple preserves」松本訳注第1章(11) p. 452参照 We re getting a little boy from an orphan asylum in Nova Scotia 「Nova Scotia」ノヴァスコシア（松本訳）。アルファベット表記を見ると、New Scotland のこととわかる（たぶんラテン語化している） and he s coming on the train tonight." If Marilla had said that Matthew had gone to Bright River to meet a kangaroo from Australia 「a kangaroo from Australia」オーストラリアからやって来たカンガルー。大英帝国の一員のオーストラリアには親しみがあるのでしょうね Mrs. Rachel could not have been more astonished. She was actually stricken dumb for five seconds. 「actually stricken dumb for five seconds」ここで、actually striken としているのは、口も聞けないほど唖然としてという例えとして dumb を使うことがあるのですが、ここでは、本当に５秒間も口を聞かなかった、と強調している。しかし……、この表現は面白いのでしょうか？？？ It was unsupposable that Marilla was making fun of her, but Mrs. Rachel was almost forced to suppose it. "Are you in earnest, Marilla?" she demanded when voice returned to her. 「voice returned to her」本当に口が聞けなくなったので、声が出せるようになって、という話の流れ "Yes, of course," said Marilla, as if getting boys from orphan asylums in Nova Scotia were part of the usual spring work on any well-regulated Avonlea farm instead of being an unheard of innovation. Mrs. Rachel felt that she had received a severe mental jolt. She thought in exclamation points. A boy! Marilla and Matthew Cuthbert of all people adopting a boy! From an orphan asylum! Well, the world was certainly turning upside down! She would be surprised at nothing after this! Nothing! "What on earth put such a notion into your head?" she demanded disapprovingly. This had been done without her advice being asked, and must perforce be disapproved. "Well, we ve been thinking about it for some time-- 「it」孤児をもらうこと。どれを指すのかは……よくわかりませんが「We are getting ... tonight」でしょうか all winter in fact," returned Marilla. "Mrs. Alexander Spencer was up here one day before Christmas 「Mrs. Alexander Spencer」夫人の名前（first name）を出さない表現。アレクザンダー・スペンサーの夫人。Mrs. Rachel とはいちばん離れた表現。あまり親しくないか、リンド夫人はよく知らないだろうことを考えてか and she said she was going to get a little girl from the asylum over in Hopeton in the spring. Her cousin lives there and Mrs. Spencer has visited here and knows all about it. 「Mrs. Spencer has visited here」スペンサー夫人がやってきて。ここは、Puffin Books版では「Mrs. Spencer has visited her」スペンサー夫人がその従姉妹のところを訪れて。となっていて全然意味が違っている。文脈からすれば、これは、her（従姉妹）を訪れることにならないと通じない。「従姉妹は lives で住んでいる（事実）、スペンサー夫人は has visited で訪れたことがある（経験）、だから、スペンサー夫人は知っている（knows：結果としての事実）となるのでしょうから So Matthew and I have talked it over off and on ever since. 「it」これも前と同じ、孤児をもらうこと We thought we d get a boy. Matthew is getting up in years, you know--he s sixty-- and he isn t so spry as he once was. His heart troubles him a good deal. And you know how desperate hard it s got to be to get hired help. 「how desperate hard」hard は desperate を修飾する副詞 There s never anybody to be had but those stupid, half-grown little French boys; 「half-grown little French boys」松本訳注第1章(12) p. 452参照 and as soon as you do get one broke into your ways 「broke into」break into ～の状態になる and taught something he s up and off to the lobster canneries or the States. 「the lobster canneries」松本訳注第1章(13) p. 453参照 At first Matthew suggested getting a Home boy. But I said `no flat to that. `They may be all right--I m not saying they re not--but no London street Arabs for me, I said. 「street Arabs」浮浪児。Puffin Books版では、street arabs と a が小文字。たぶん、今なら、arab の単語は使わないでしょうね。PC の時代ですから（politically correct） `Give me a native born at least. There ll be a risk, no matter who we get. But I ll feel easier in my mind and sleep sounder at nights if we get a born Canadian. So in the end we decided to ask Mrs. Spencer to pick us out one when she went over to get her little girl. We heard last week she was going, so we sent her word by Richard Spencer s folks at Carmody to bring us a smart, likely boy of about ten or eleven. We decided that would be the best age--old enough to be of some use in doing chores right off 「chore」（家・農場の）雑用 and young enough to be trained up proper. We mean to give him a good home and schooling. 「a good home and schooling」これは、アンが来てからしばらくの間、マシューとマリラの間で話し合われたこともない（物語の上では記述がない）ので、アンが女の子であるからといって、ふたりの気持ちは大きな変化はなかったに違いありません。明確に話が出るのは、クイーン学院に行かせようかどうかというところくらいでしょうか（CHAPTER XXV with impression]] Matthew Insists on Puffed Sleeves） We had a telegram from Mrs. Alexander Spencer today--the mail-man brought it from the station-- 「We had a telegram from Mrs. Alexander Spencer today--the mail-man brought it from the station--」電報の場合は駅から直接配ってくれたようですね。カナダの電信の歴史はよくわかりませんが、鉄道を敷くと、線路に沿って電信線を伸ばしたのかもしれませんが……。そこまで電化が進んでいないでしょうねぇ。とすると、これはそうじゃなくて、シャーロットタウンに電信を受けるところがあって（郵便局かもしれません）、そこから郵便とともに電報も列車で運ばれ、郵便局の人は電報を配ってくれたのでしょうか saying they were coming on the five-thirty train tonight. So Matthew went to Bright River to meet him. Mrs. Spencer will drop him off there. Of course she goes on to White Sands station herself." 「White Sands」松本訳注第1章(14) p. 453参照 Mrs. Rachel prided herself on always speaking her mind; she proceeded to speak it now, having adjusted her mental attitude to this amazing piece of news. "Well, Marilla, I ll just tell you plain that I think you re doing a mighty foolish thing--a risky thing, that s what. You don t know what you re getting. You re bringing a strange child into your house and home 「your house and home」建物／敷地としての house と 家族の中に入り込む家庭としての home の概念を区別。日本語では上手く書き分けるのは難しいところ and you don t know a single thing about him nor what his disposition is like nor what sort of parents he had nor how he s likely to turn out. Why, it was only last week I read in the paper how a man and his wife up west of the Island took a boy out of an orphan asylum and he set fire to the house at night--set it ON PURPOSE, Marilla--and nearly burnt them to a crisp in their beds. And I know another case where an adopted boy used to suck the eggs--they couldn t break him of it. If you had asked my advice in the matter--which you didn t do, Marilla--I d have said for mercy s sake not to think of such a thing, that s what." This Job s comforting seemed neither to offend nor to alarm Marilla. 「Job s comforting」松本訳注第1章(15) p. 453参照 She knitted steadily on. 「She knitted steadily on.」気持ちをその人の行動で表現する。驚くなり動揺したなら編み物を止めるはず、という前提がある（しつこい？ だったらごめんななさい） "I don t deny there s something in what you say, Rachel. I ve had some qualms myself. But Matthew was terrible set on it. I could see that, so I gave in. It s so seldom Matthew sets his mind on anything that when he does I always feel it s my duty to give in. And as for the risk, there s risks in pretty near everything a body does in this world. There s risks in people s having children of their own if it comes to that--they don t always turn out well. And then Nova Scotia is right close to the Island. It isn t as if we were getting him from England or the States. He can t be much different from ourselves." "Well, I hope it will turn out all right," said Mrs. Rachel in a tone that plainly indicated her painful doubts. "Only don t say I didn t warn you if he burns Green Gables down or puts strychnine in the well--I heard of a case over in New Brunswick where an orphan asylum child did that and the whole family died in fearful agonies. Only, it was a girl in that instance." "Well, we re not getting a girl," said Marilla, as if poisoning wells were a purely feminine accomplishment and not to be dreaded in the case of a boy. "I d never dream of taking a girl to bring up. 「I d never dream of taking a girl to bring up.」女の子を育てようとはしていない、と強調。さらに次の文でも。アンが来たときの状況の伏線となる。アンが来ることは、読者にとってはほとんど自明なので（本の題名からしても、そして、きっと本の紹介でもアンが来ることは書かれるでしょうから）、来てどうなるかの伏線と考えなければなるまい、と思うのです I wonder at Mrs. Alexander Spencer for doing it. But there, SHE wouldn t shrink from adopting a whole orphan asylum if she took it into her head." Mrs. Rachel would have liked to stay until Matthew came home with his imported orphan. But reflecting that it would be a good two hours at least before his arrival she concluded to go up the road to Robert Bell s and tell the news. It would certainly make a sensation second to none, and Mrs. Rachel dearly loved to make a sensation. So she took herself away, somewhat to Marilla s relief, for the latter felt her doubts and fears reviving under the influence of Mrs. Rachel s pessimism. "Well, of all things that ever were or will be!" ejaculated Mrs. Rachel when she was safely out in the lane. "It does really seem as if I must be dreaming. Well, I m sorry for that poor young one and no mistake. Matthew and Marilla don t know anything about children and they ll expect him to be wiser and steadier that his own grandfather, if so be s he ever had a grandfather, 「if so be s he ever had a grandfather」be s がよくわからない。be は be動詞で、仮定法で原型になっているのでしょうけれども、 sが何なのかが…… そこで「"if so be s"」をキーワードにして、検索をしてみたら、面白いページ発見（ここ）。日本人がわからないと質問し、ネイティブ英語話者があーかも、こーかも、と書いています。日本人がわからなくても、ここは、おっけいなのです！議論を読み解くのは何か混乱してしまうのですが、be s は、be as の略と考えればよさそうです。この議論（というか質疑というか）から受け取れるメッセージは、１．古い英語なので現代英語と違うところがある、２．この英語表現はアナタは使ってはいけない、３．『赤毛のアン』は多少難しいところもあるけれも面白いからがんばって読んでね、です。これから英語で読もうとしている方にははげみになるでしょう！ジツはこの第１章の印象を書くのは全部読んだ後なので、ワタシへの励ましには時すでに遅し、でしたが（印象は第26章から書きはじめ、最後まで書いたので第１章に戻ってきたのです） which is doubtful. It seems uncanny to think of a child at Green Gables somehow; there s never been one there, for Matthew and Marilla were grown up when the new house was built-- 「the new house was built」今のグリーンゲイブルズができたときには、マシューもマリラも大きくなっていた。その前はどうだったのでしょう……。建て替え、かしら if they ever WERE children, which is hard to believe when one looks at them. I wouldn t be in that orphan s shoes for anything. My, but I pity him, that s what." So said Mrs. Rachel to the wild rose bushes out of the fulness of her heart; but if she could have seen the child who was waiting patiently at the Bright River station at that very moment her pity would have been still deeper and more profound. UP CHAPTER II 19 August 2007 8 October 2007 一番上のリンクのミスを訂正 今日 - | 昨日 - | Total - since 19 August 2007 last update 2007-10-08 17 02 35 (Mon)
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Meet! 2014 Aus der Luft gegriffen In der letzten Ausgabe von Meet! ging es noch um geerdete Grundbedürfnisse - die dritte Folge dieser Kunstschau zog es in die Luft Haltlose Kunst und anders leichte Sohlen interessierten diesmal uns das Kuratorentrio (Edin Bajric, Helena Gaikalowa und Kanae Kimura). Internationale und heimische Künstler sind hier vertreten - und verschiedenste Medien Objekte, Performances, Musik und mehr. Was Meet! ist Meet! ist ein internationales Kunstprojekt eine Kunstschau mit Veranstaltungsreihen, die sich zum ersten Mal im Jahr 2010 präsentierte und im darauffolgenden Jahr die Reihe fortsetzte. An beiden Ausgaben nahmen knapp 70 Künstler teil - unter anderem aus West- und Osteuropa, Japan, Südkorea, den USA, Deutschland - und aus Hannover. Ein wesentlicher Bestandteil des Projekts ist ein Gesprächscafé für Kunstschaffende und Besucher. Wir Kuratoren Edin Bajric, Helena Gaikalowa, und Kanae Kimura haben zusammen in Hannover und Hiroshima bildende Kunst studiert und sind neben der kuratorischen Arbeit auch als Künstler tätig. Das Werden-Rezept / die Werden-Rezeption Man sehe fast ein Nichts Gegenstandsloses, Haltloses in der Luft | man halte es nicht auf, das Entstehen | man vergegenwärtige und begreife es. Vielleicht ist es ein Prozess, der in einem Fast-Nichts beginnt oder endet | Zierliches | Fragiles | Leichtes | Unsichtbares | oder anders leise Sohlen, die eine starke Wirkung entfalten... Meet! 2014 schafft Raum für Kunst, die ihre durchschlagende Kraft jenseits des Großen und Offensichtlichen, Spektakulären und Schrillen schöpft – aus dem Kleinen, Schlichten oder dem schwer Fassbaren. Ob in ihrer Form oder in der Thematik leise – wir suchen Arbeiten, die sich dem konsumierenden Betrachter nicht wie auf einem Präsentierteller darbieten, sondern genaueres Hinsehen erwarten. Kurzum Diese Kunst will erst entdeckt werden. Zugelassen sind Arbeiten aus allen Bereichen der Kunst. Ausstellungsdaten Meet! 2014 fi ndet vom 6.4. bis 4.5.2014 in der Städtischen Galerie KUBUS, Hannover/Deutschland statt. Voraussetzungen für die Teilnahme Bearbeitungsgebühr in Höhe von 5 Euro, zu überweisen an Meet! 2014 Konto Nr. 1911546392, BLZ 250 501 80, Sparkasse Hannover, IBAN DE55 2505 0180 1911 5463 92, BIC SPKHDE2HXXX Angaben zur Person (mit vollständiger Anschrift, E-Mail-Adresse und Telefonnummer, Festnetz und mobil) Angaben zum künstlerischen Werdegang eine Arbeit oder eine Serie maximal drei Abbildungen der Arbeit in digitaler Form bzw. maximal eine DVD. Einsendungen per E-mail JPG, PDF, TIFF oder GIF, Textdateien – insgesamt unter 5 MB, per Datentransfer max. 1 GB Statement (max. eine Seite) Bei Performances u. ä., zusätzlich zur Dokumentation Beschreibung des Vorhabens, Angabe des Umfangs bzw. des Zeitraumes. Bei bereits aufgeführten Arbeiten evtl. Berichterstattung (max. eine Seite) Ausgewählt wird nur eine Arbeit bzw. eine Serie (Maße und Auswahl von Serien sind sehr begrenzt) Unvollständige Sendungen können leider nicht berücksichtigt werden. Bei Fragen können Sie uns gern eine E-Mail schicken. Kontakt meet.artproject@googlemail.com Meet! 2014 Nov. 2013 1/4 Einreichungen per Post sind auch möglich (bitte beachten Sie die Vorgaben oben und senden zur Bewerbung auch keine Originale ein – unaufgefordert eingesandte Originale werden nicht zurückgeschickt). Anschrift konnektor – Forum für Künste, Stichwort Meet! 2014, Kötnerholzweg 11, D-30451 Hannover, Deutschland. Wenn Rücksendung des Bewerbungsmaterials erwünscht, bitte einen ausreichend frankierten und an sich selbst adressierten Briefumschlag beifügen. Die Bewerbung muss bis 31.01.14 15.02.2014 eingegangen sein. (verlängert bis 15.02.2014) Mit der Abgabe der Bewerbung erklären sich die Künstler mit Teilnahme- und Ausstellungsbedingungen einverstanden. Ausstellungsbedingungen Die ausgewählten Arbeiten müssen mindestens zwei Wochen vor Ausstellungsbeginn und mindestens eine Woche danach verfügbar sein. Es können keine Kosten übernommen werden. Für die Anlieferung und den Rücktransport ist der ausstellende Künstler selbst verantwortlich (auch hier können keine Kosten erstattet werden). Die Arbeiten sind während der Ausstellungsdauer (jedoch nicht während des Auf- und Abbaus) versichert. Sie können per Post eingeschickt oder angeliefert werden. Weitere Infos zur Ausstellung sowie zu Anlieferungs- und Abholungsterminen bekommen die ausgewählten Künstler mit Bekanntgabe der Teilnahme. DE Meet!2014Ausschreibung.pdf Meet!2014Ausschreibung-jan..pdf EN Meet!2014Aplicationform.pdf Meet!2014Aplicationform-jan.pdf Copyright (c) Meet! 2014 All Right Reserved
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001 David Bowie-Low; 1977 002 The Clash-London Calling; 1979 003 Television-Marquee Moon; 1977 004 Sly The Family Stone-There s a Riot Goin On; 1971 005 Bob Dylan-Blood on the Tracks; 1975 006 Kraftwerk-Trans-Europe Express; 1977 007 Led Zeppelin-IV; 1971 008 Gang of Four-Entertainment!; 1979 009 Joy Division-Unknown Pleasures; 1979 010 Brian Eno-Another Green World; 1975 011 Rolling Stones-Exile on Main Street; 1972 012 The Stooges-Funhouse; 1970 013 Nick Drake-Pink Moon; 1972 014 The Velvet Underground-Loaded; 1971 015 The Who-Who s Next; 1971 016 Buzzcocks-Singles Going Steady; 1979 017 Funkadelic-Maggot Brain; 1971 018 Miles Davis-Bitches Brew; 1970 019 Can-Ege Bamyasi; 1972 020 T.Rex-Electric Warrior; 1971 021 Serge Gainsbourg-Histoire de Melody Nelson[Philips; 1971] 022 Wire-Pink Flag[Harvest; 1977] 023 Ramones-Ramones[Sire; 1976] 024 Brian Eno-Here Come the Warm Jets[Island; 1974] 025 Neu!-Neu![Brain; 1972] 026 Stevie Wonder-Innervisions[Tamla/Motown; 1973] 027 Led Zeppelin-III[Atlantic; 1970] 028 The Beatles-Let It Be[Apple; 1970] 029 Can-Tago Mago[United Artists; 1971 030 Miles Davis-On the Corner[Columbia; 1972] 031 Talking Heads-Fear of Music; 1979 032 Pink Floyd-The Wall; 1979 033 Wire-Chairs Missing; 1978 034 Various Artists-Saturday Night Fever; 1978 035 The Pop Group-Y; 1979 036 Pink Floyd-Wish You Were Here; 1975 037 Elvis Costello-My Aim Is True; 1977 038 XTC-Drums and Wires; 1979 039 Suicide-Suicide; 1977 040 The Modern Lovers-The Modern Lovers; 1977 041 Fleetwood Mac-Rumours; 1977 042 The Specials-The Specials; 1979 043 Michael Jackson-Off the Wall; 1979 044 The Clash-The Clash; 1977 045 Talking Heads-More Songs About Buildings and Food; 1978 046 The Congos-Heart of The Congos; 1977 047 Al Green-Call Me; 1973 048 Miles Davis-Live-Evil; 1972 049 Marvin Gaye-What s Going On; 1971 050 Tim Buckley-Starsailor; 1970 051 Sex Pistols-Never Mind the Bollocks; 1977 052 Elvis Costello-This Year s Model; 1978 053 Steve Reich-Music for 18 Musicians; 1978 054 Creedence Clearwater Revival-Cosmo s Factory; 1970 055 Nick Drake-Bryter Layter; 1970 056 Can-Future Days; 1973 057 Paul Simon-Paul Simon; 1972 058 Miles Davis-A Tribute to Jack Johnson; 1971 059 Ramones-Rocket to Russia; 1977 060 John Lennon-Plastic Ono Band; 1970 061 Beach Boys-Surf s Up; 1971 062 The Cars-The Cars; 1978 063 Cluster-Zuckerzeit; 1974 064 Iggy Pop-Lust for Life; 1977 065 Neil Young-On the Beach; 1974 066 Big Star-Third/Sister Lovers; 1978 067 Pink Floyd-Meddle; 1971 068 Herbie Hancock-Head Hunters; 1973 069 Faust-IV; 1973 070 Pink Floyd-Dark Side of the Moon; 1973 071 James Brown-The Payback; 1973 072 King Crimson-Red; 1974 073 Van Halen-Van Halen; 1978 074 Leonard Cohen-Songs of Love and Hate; 1971 075 Led Zeppelin-Houses of the Holy; 1973 076 Blondie-Parallel Lines; 1978 077 David Bowie-Aladdin Sane; 1973 078 Anikulapo Kuti Africa 70-Expensive Shit; 1975 079 Randy Newman-Sail Away; 1972 080 David Bowie-Hunky Dory; 1971 081 David Bowie-Ziggy Stardust; 1972 082 George Harrison-All Things Must Pass; 1970 083 Iggy The Stooges-Raw Power; 1973 084 Nilsson-Nilsson Schmilsson; 1971 085 Wire-154; 1979 086 Joni Mitchell-Blue; 1971 087 Roxy Music-For Your Pleasure; 1973 088 Giorgio Moroder-From Here to Eternity; 1977 089 Devo-Q Are We Not Men? A We are Devo!; 1978 090 Fela Anikulapo Kuti Africa 70-Zombie; 1977 091 Throbbing Gristle-20 Jazz Funk Greats; 1979 092 Kraftwerk-The Man-Machine; 1978 093 Jimi Hendrix-Band of Gypsys; 1970 094 King Crimson-Starless and Bible Black; 1974 095 Led Zeppelin-Physical Graffiti; 1975 096 Iggy Pop-The Idiot; 1977 097 Various Artists-The Harder They Come; 1972 098 Robert Wyatt-Rock Bottom; 1974 099 Neil Young-After the Gold Rush; 1970 100 Brian Eno-Before and After Science; 1977 001 Sonic Youth-Daydream Nation; 1987 002 Talking Heads-Remain in Light; 1980 003 Beastie Boys-Paul s Boutique; 1989 004 Pixies-Doolittle; 1989 005 R.E.M-Murmur; 1983 006 Smiths-Queen is Dead; 1986 007 Pixies-Surfer Rosa; 1988 008 Tom Waits-Rain Dogs; 1985 009 Public Enemy-It Takes a Nation of Millions to Hold Us Back; 1988 010 Joy Division-Closer; 1980 011 Tom Waits-Swordfishtrombones; 1983 012 Prince-Purple Rain; 1984 013 Fall-This Nation s Saving Grace; 1985 014 Sonic Youth-Sister; 1987 015 XTC-Skylarking; 1986 016 Galaxie 500-On Fire; 1989 017 Minutemen-Double Nickels on the Dine; 1984 018 De La Soul-3 Feet High and Rising; 1989 019 P.I.L-Second Edition; 1980 020 This Heat-Deceit; 1981 021 Brian Eno-My Life in the Bush of Ghost; 1981 022 My Bloody Valentine-Isn t Anything; 1988 023 Jesus Mary Chain-Psychocandy; 1985 024 Gang of Four-Solid Gold; 1981 025 Black Flag-Damaged; 1981 026 Elvis Costello-Get Happy; 1980 027 Michael Jackson-Thriller; 1982 028 New Order-Power, Corruption Lies; 1983 029 The Replacements-Let It Be; 1984 030 U2-The Joshua Tree; 1987 031 Sonic Youth-EVOL; 1986 032 Husker Du-Zen Arcade; 1984 033 Fall-Hex Enduction Hour; 1982 034 Talk Talk Spirit of Eden; 1988 035 N.W.A-Straight Outta Compton; 1988 036 Violent Femmes-Violent Femmes; 1983 037 The Replacements-Tim; 1985 038 The Cure-Disintegration; 1989 039 The Stone Roses-The Stone Roses; 1989 040 Dinosaur Jr.-You re Living All Over Me; 1987 041 Beastie Boys-Licensed to Ill; 1986 042 Cowboy Junkies-Trinity Session; 1988 043 Run-DMC-Raising Hell; 1986 044 Kraftwerk-Computer World; 1981 045 Prince-Sign`O The Times; 1987 046 XTC-Englsh Settlement; 1982 047 John Zorn-Naced City; 1989 048 R.E.M.-Document; 1987 049 Mission of Burma-Vs.; 1982 050 Spacemen 3-The Perfect Prescription; 1987 051 Leonard Cohen-I m Your Man; 1988 052 Eric B. Rakim-Paid in Full; 1987 053 Mission of Burma-Signals,Calls Marches; 1981 054 Big Black-Songs about Fucking; 1987 055 Police-Synchronicity; 1983 056 King Crimsn-Discipline; 1981 057 Pixies--Come on Pilgrim; 1987 058 Elvis Costello-Imperial Bedroom; 1982 059 Guns N Roses-Appetite for Destruction; 1987 060 Bruce Springsteen-Nebraska; 1982 061 Nurse with Wound-Homotopy to Marie; 1982 062 R.E.M.-Reckoning; 1984 063 Young Marble Giants-Colossal Youth; 1980 064 Television Personalities-...And Don t the Kids Just Love It; 1981 065 The Soft Boys-Underwater Moonlight; 1980 066 The Dukes of Stratosphear-Psonic Psunspot; 1987 067 The Pogues-Rum, Sodomy The Lash; 1985 068 Talking Heads-Stop Making Sense; 1984 069 The Feelies-Crazy Rhythms; 1980 070 Elvis Costello-Trust; 1981 071 The Replacements-Pleased to Meet Me; 1987 072 Meat Puppets-Up on the Sun; 1985 073 Coil-Horse Rotorvator; 1987 074 Mekons-Fear Whiskey; 1985 075 Boogie Down Productions-Criminal Minded; 1987 076 The dB s-Stands for Decibels; 1981 077 The Smiths-Strangeways, Here We Come; 1987 078 They Might Be Giants-Lincoln; 1989 079 Manuel Gottsching-E2-E4; 1981 080 Husker Du-New Day Rising; 1985 081 Cocteau Twins-Blue Bell Knoll; 1988 082 The Fall-Perverted by Language; 1983 083 Talk Talk-The Colour of Spring; 1986 084 ESG-Come Away with ESG; 1983 085 Paul Simon-Graceland; 1986 086 The Police-Ghost in the Machine; 1981 087 Prince-Dirty Mind; 1980 088 Spacemen 3-Playing with Fire; 1989 089 Boredoms-Soul Discharge; 1989 090 Jane s Addiction-Nothing s Shocking; 1988 091 X-Los Angeles; 1980 092 Kate Bush-Hounds of Love; 1985 093 David Bowie-Scary Monsters; 1980 094 Meat Puppets-II; 1983 095 Duran Duran-Rio; 1982 096 Rites of Spring-Rites of Spring; 1985 097 Mekons-The Mekons Rock N Roll 098 Cocteau Twins-Treasure; 1984 099 Gang of Four-Songs of the Free; 1982 100 Minor Threat-Out of Step; 1984 001 Radiohead-OK Computer; 1997 002 My Bloody Valentine-Loveless; 1991 003 The Flaming Lips-The Soft Bulletin; 1999 004 Neutral Milk Hotel-In the Aeroplane Over the Sea; 1998 005 Pavement-Slanted Enchanted; 1992 006 Nirvana-Nevermind; 1991 007 DJ Shadow-...Endtroducing; 1996 008 Pavement-Crooked Rain, Crooked Rain; 1994 009 Bonnie "Prince" Billy-I See a Darkness; 1999 010 Guided by Voices-Bee Thousand; 1994 011 Talk Talk-Laughing Stock; 1991 012 Slint-Spiderland; 1991 013 Nirvana-In Utero; 1993 014 Belle Sebastian-If You re Feeling Sinister; 1996 015 Radiohead-The Bends; 1995 016 The Dismemberment Plan-Emergency I; 1999 017 Public Enemy-Fear of a Black Planet; 1990 018 Smashing Pumpkins-Siamese Dream; 1993 019 Beck-Odelay; 1996 020 Bjork-Post; 1995 021 Bjork-Homogenic; 1997 022 Built to Spill-Perfect from Now On; 1997 023 The Beta Band-The Three EPs; 1999 024 Built to Spill-There s Nothing Wrong with Love; 1994 025 Yo La Tengo-I Can Hear the Heart Beating as One; 1997 026 Weezer-Weezer; 1994 027 Guided by Voices-Alien Lanes; 1995 028 Pixies-Bossanova; 1990 029 Modest Mouse-The Lonesome Crowded West; 1997 030 Liz Phair-Exile in Guyville; 1993 031 Wilco-Summerteeth; 1999 032 The Notorious B.I.G.-Ready to Die; 1994 033 Nas-Illmatic; 1994 034 Beastie Boys-Check Your Head; 1992 035 Boards of Canada-Music Has the Right to Children; 1998 036 Wu-Tang Clan-Enter the Wu-Tang (36 Chambers); 1993 037 Magnetic Fields-69 Love Songs; 1999 038 The Jesus Lizard-Goat; 1991 039 Olivia Tremor Control-Dusk at Cubist Castle; 1996 040 Aphex Twin-The Richard D. James Album; 1996 041 Yo La Tengo-Painful; 1993 042 Fugazi-Red Medicine; 1995 043 R.E.M.-Automatic for the People; 1992 044 Boredoms-Super Ae; 1998 045 Godspeed You Black Emperor!-F# A# Infinity; 1998 046 Air-Moon Safari; 1998 047 Oval-94diskont; 1995 048 Portishead-Dummy; 1994 049 Tom Waits-Bone Machine; 1992 050 Outkast-Aquemini; 1998 051 Stereolab-Emperor Tomato Ketchup; 1996 052 PJ Harvey-Rid of Me; 1993 053 Weezer-Pinkerton; 1991 054 Blur-Parklife; 1994 055 Spiritualized-Ladies and Gentlemen, We Are Floating in Space; 1997 056 A Tribe Called Quest-The Low-End Theory; 1991 057 Brainiac-Bonsai Superstar; 1994 058 Jesus Lizard-Liar; 1992 059 Elliott Smith-Either/Or; 1997 060 Palace Music-Viva Last Blues; 1995 061 Pulp-Different Class; 1995 062 Aphex Twin-Selected Ambient Works, Vol. II; 1994 063 De La Soul-De La Soul Is Dead; 1991 064 The Breeders-Last Splash; 1993 065 Daft Punk-Homework; 1997 066 Tricky-Maxinquaye; 1995 067 Mouse on Mars-Iaora Tahiti; 1995 068 Elliott Smith-XO; 1998 069 Jeff Buckley-Grace; 1994 070 Jawbox-For Your Own Special Sweetheart; 1994 071 Dr. Octagon-Octagonecologyst; 1996 072 Silver Jews-American Water; 1998 073 Brainiac-Hissing Prigs in Static Couture; 1996 074 Ride-Nowhere; 1990 075 A Tribe Called Quest-Midnight Marauders; 1993 076 Mercury Rev-Deserter s Songs; 1998 077 Primal Scream-Screamadelica; 1991 078 Stereolab-Mars Audiac Quintet; 1994 079 Dr. Dre-The Chronic; 1992 080 The Pharcyde-Bizarre Ride II The Pharcyd; 1992 081 The Breeders-Pod; 1990 082 Sonic Youth-Goo; 1990 083 Pixies-Trompe le Monde; 1991 084 Company Flow-Funcrusher Plus; 1997 085 Massive Attack-Blue Lines; 1991 086 Destroyer-City of Daughters; 1998 087 GZA/Genius-Liquid Swords; 1995 088 Wilco-Being There; 1996 089 Squarepusher-Music Is Rotted One Note; 1999 090 Cocteau Twins-Heaven or Las Vegas; 1990 091 Tortoise-TNT; 1998 092 Scott Walker-Tilt; 1995 093 Bob Dylan-Time Out of Mind; 1997 094 Frank Black-Teenager of the Year; 1994 095 Massive Attack-Mezzanine; 1998 096 Herbert-Around the House; 1998 097 Mogwai-Young Team; 1997 098 KMD-Mr. Hood; 1991 099 Raekwon-Only Built 4 Cuban Linx; 1995 100 The Orb-The Orb s Adventures Beyond the Ultraworld; 1991 200. Jay Reatard- Blood Visions 199. Deerhoof- Apple O 198. Boris- Akuma No Uta 197. Yeasayer- All Hour Cymbals 196. William Basinski- The Disintegration Loops 195. Bonnie "Prince" Billy- The Letting Go 194. Pulp- We Love Life 193. Devendra Benhart- Rejoicing in the Hands 192. Art Brut- Bang Bang Rock Roll 191. Air- Talkie Walkie 190. Elliott Smith- Figure 8 189. Jamie Lidell- Multiply 188. M83- Dead Cities, Red Seas Lost Ghosts 187. Stars of the Lid- The Tired Sounds of Stars of the Lid 186. The Thermals- The Body, The Blood, The Machine 185. Scarface- The Fix 184. Vitalic- OK Cowboy 183. Arctic Monkeys- Whatever People Say I Am, That s What I m Not 182. Max Tundra- Mastered by Guy at the Exchange 181. Andrew Bird- Andrew Bird the Mysterious Production of Eggs 180. Nick Cave the Bad Seeds- Abattoir Blues/Lyre of Orpheus 179. Camera Obscura- Let s Get Out of This Country 178. Lil Wayne- Tha Carter II 177. Broadcast- The Noise Made By People 176. The Mountain Goats- Tallahassee 175. Various Artists- Total 3 174. Okkervil River- Black Sheep Boy 173. Herbert- Bodily Functions 172. Constantines- Shine a Light 171. The Go! Team- Thunder, Lightning, Strike 170. Bright Eyes- Fevers and Mirrors 169. Common- Like Water for Chocolate 168. Califone- Roots and Crowns 167. Annie- Anniemal 166. Jim O Rourke- Insignificance 165. Ricardo Villalobos- Alcachofa 164. Les Savy Fav- Rome (Written Upside Down) EP 163. DJ /rupture- Uproot 162. Wu-Tang Clan- The W 161. Air France- No Way Down 160. Deerhunter- Cryptograms 159. Girl Talk- Night Ripper 158. Destroyer- Destroyer s Rubies 157. Lightning Bolt- Wonderful Rainbow 156. Bloc Party- Silent Alarm 155. Clipse- Lord Willin 154. Ghostface Killah- The Pretty Toney Album 153. Jens Lekman- Night Falls Over Kortedala 152. Cannibal Ox- The Cold Vein 151. The Walkmen- Bows and Arrows 150. The New Pornographers- Twin Cinema 149. Tough Alliance- A New Chance 148. Erlend Øye- DJ Kicks 147. T.I.- King 146. My Morning Jacket- Z 145. Fiery Furnaces- Blueberry Boat 144. Andrew W.K.- I Get Wet 143. The Decemberists- Picaresque 142. Primal Scream- XTRMNTR 141. Neko Case- Blacklisted 140. TV on the Radio- Dear Science 139. Love Is All- Nine Times That Same Song 138. The Libertines- Up the Bracket 137. Iron Wine- The Creek Dr Decemberists- Piank the Cradle 136. No Age- Weirdo Rippers 135. Sigur Ros- () 134. Queens of the Stone Age- Songs for the Deaf 133. Erykah Badu- New Amerykah Part One 4th World War 132. Hercules and the Love Affair- Hercules and the Love Affair 131. The Notwist- Neon Golden 130. Clipse- We Got It 4 Cheap, Vol. 2 129. The Streets- A Grand Don t Come for Free 128. Life Without Buildings- Any Other City 127. Sleater-Kinney- The Woods 126. Mastodon- Leviathan 125. The Books- Thought for Food 124. PJ Harvey- Stories from the City, Stories from the Sea 123. Four Tet- Rounds 122. Ryan Adams- Heartbreaker 121. Broadcast- Haha Sound 120. Ted Leo and the Pharmacists- The Tyranny of Distance 119. Eminem- The Marshall Mathers LP 118. The Beta Band- Hot Shots II 117. Low- Things We Lost in the Fire 116. Michael Mayer- Immer 115. The Shins- Oh, Inverted World 114. Cam ron- Purple Haze 113. LCD Soundsystem- LCD Soundsystem 112. Feist- The Reminder 111. M83- Saturdays = Youth 110. The National- Boxer 109. Band of Horses- Everything All the Time 108. Sonic Youth- Murray Street 107. Justice- † 106. Caribou- Up in Flames 105. Battles- Mirrored 104. The Postal Service- Give Up 103. M.I.A./Diplo- Piracy Funds Terrorism Volume 1 102. The Mountain Goats- The Sunset Tree 101. Franz Ferdinand- Franz Ferdinand 100. ...And You Shall Know Us By the Trail of Dead- Source Tags Codes 99. Lil Wayne- Da Drought 3 98. Cat Power- You Are Free 97. The Dismemberment Plan- Change 96. Spoon- Girls Can Tell 95. Grizzly Bear- Yellow House 94. Mclusky- Mclusky Do Dallas 93. 2 Many DJs- As Heard on Radio Soulwax, Pt. 2 92. Björk- Vespertine 91. The New Pornographers- Mass Romantic 90. Jay Z- The Black Album 89. Wolf Parade- Apologies to the Queen Mary 88. The Wrens- The Meadowlands 87. Kanye West- Graduation 86. Belle and Sebastian- The Life Pursuit 85. Gas- Pop 84. Super Furry Animals- Rings Around the World 83. Joanna Newsom- Ys 82. Beck- Sea Change 81. Hot Chip- The Warning 80. The Clientele- Suburban Light 79. Justin Timberlake- FutureSex/LoveSounds 78. No Age- Nouns 77. Missy Elliott- Miss E... So Addictive 76. Junior Boys- Last Exit 75. Ghostface Killah- Fishscale 74. The White Stripes- Elephant 73. The Microphones- The Glow, Pt. 2 72. Sleater-Kinney- One Beat 71. Portishead- Third 70. Sufjan Stevens- Greetings From Michigan The Great Lakes State 69. Liars- Drum s Not Dead 68. Robyn- Robyn 67. The Flaming Lips- Yoshimi Battles the Pink Robots 66. J Dilla- Donuts 65. Godpseed You Black Emperor!- Lift Your Skinny Fists like Antennas to Heaven 64. The Hold Steady- Boys and Girls in America 63. Of Montreal- Hissing Fauna, Are You the Destroyer? 62. Dizzee Rascal- Boy in Da Corner 61. Cut Copy- In Ghost Colours 60. Exploding Hearts- Guitar Romantic 59. Ted Leo and the Pharmacists- Hearts of Oak 58. The Field- From Here We Go Sublime 57. The Rapture- Echoes 56. Dirty Projectors- Bitte Orca 55. Animal Collective- Feels 54. M.I.A.- Arular 53. Clinic- Internal Wrangler 52. Clipse- Hell Hath No Fury 51. Vampire Weekend- Vampire Weekend 50. Deerhunter- Microcastle 49. Antony and the Johnsons- I Am a Bird Now 48. The Hold Steady- Separation Sunday 47. Joanna Newsom- The Milk-Eyed Mender 46. The Shins- Chutes Too Narrow 45. Fugazi- The Argument 44. D Angelo- Voodoo 43. Luomo- Vocal City 42. Grizzly Bear- Veckatimest 41. Burial- Untrue 40. The National- Alligator 39. Boredoms- Vision Creation Newsun 38. Phoenix- It s Never Been Like That 37. Yo la Tengo- And Then Nothing Turned Itself Inside-Out 36. The Streets- Original Pirate Material 35. Spoon- Ga Ga Ga Ga Ga 34. Radiohead- Amnesiac 33. Basement Jaxx- Rooty 32. Fleet Foxes- Fleet Foxes 31. TV on the Radio- Return to Cookie Mountain 30. Boards of Canada- Geogaddi 29. Bon Iver- For Emma, Forever Ago 28. Kanye West- The College Dropout 27. Animal Collective- Sung Tongs 26. Fennesz- Endless Summer 25. Madvillian- Madvilliany 24. Yeah Yeah Yeahs- Fever to Tell 23. Broken Social Scene- You Forgot It in People 22. M.I.A.- Kala 21. Radiohead- In Rainbows 01. Radiohead, Kid A [Capitol; 2000] 02. Arcade Fire, Funeral [Merge; 2004] 03. Daft Punk, Discovery [Virgin; 2001] 04. Wilco, Yankee Hotel Foxtrot [Nonesuch; 2002] 05. Jay-Z, The Blueprint [Roc-A-Fella; 2001] 06. Modest Mouse, The Moon Antarctica [Epic; 2000] 07. The Strokes, Is This It [RCA; 2001] 08. Sigur Ros, Agaetis Byrjun [Smekkleysa; 2000] 09. Panda Bear, Person Pitch [Paw Tracks; 2007] 10. The Avalanches, Since I Left You [Modular/Interscope; 2000] 11. Ghostface Killah, Supreme Clientele [Sony; 2000] 12. The White Stripes, White Blood Cells [Sympathy for the Record Industry; 2001] 13. OutKast, Stankonia [La Face; 2000] 14. Animal Collective, Merriweather Post Pavillion [Domino; 2009] 15. The Knife, Silent Shout [Mute/Rabid; 2006] 16. Sufjan Stevens, Illinois [Asthmatic Kitty; 2005] 17. LCD Soundsystem, Sound of Silver [EMI/DFA; 2007] 18. Kanye West, Late Registration [Roc-A-Fella; 2005] 19. Spoon, Kill the Moonlight [Merge; 2002] 20. Interpol, Turn on the Bright Lights [Matador; 2002]
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Engineering and Industrial Graphics Handbook (McGraw-Hill Handbook Series) Mcgraw-Hill (Tx)? George Rowbotham? Mcgraw-Hill(Tx)? GeorgeRowbotham? ジャンル別? Substores-UnknownASINs-2? Subjects-Engineering-General? Subjects-Engineering-Mechanical-Drafting&MechanicalDrawing? Subjects-Engineering-Mechanical-General? Subjects-Professional&Technical-Engineering-Mechanical-Drafting&MechanicalDrawing? Subjects-Professional&Technical-Engineering-Mechanical-General? Subjects-Professional&Technical-Engineering-General Subjects-Science-Technology-General&Reference Phase Conjugate Optics (Advanced Science and Technology Series) Mcgraw-Hill (Tx)? Jun-Ichi Sakai? Mcgraw-Hill(Tx)? Jun-IchiSakai? ジャンル別? Substores-UnknownASINs-2? Subjects-Engineering-Electrical&Electronics-Optics-General? Subjects-Professional&Technical-Engineering-Electrical&Electronics-Optics-General? Subjects-Professional&Technical-ProfessionalScience-Physics-Optics? Subjects-Science-General Subjects-Science-Physics-General? Subjects-Science-Physics-Light-General? Subjects-Science-Physics-Optics? Subjects-Science-Technology-General&Reference Modern Digital Design (Mcgraw-Hill Series in Electrical Engineering) Mcgraw-Hill College? Richard S. Sandige? Mcgraw-HillCollege? RichardS.Sandige? ジャンル別? Subjects-Computers&Internet-ComputerScience-Circuitry-CircuitComponents? Subjects-Engineering-Electrical&Electronics-DigitalDesign? Subjects-Engineering-Electrical&Electronics-Circuits? Subjects-Engineering-General? Subjects-Professional&Technical-Engineering-Electrical&Electronics-DigitalDesign? Subjects-Professional&Technical-Engineering-Electrical&Electronics-Circuits? Subjects-Professional&Technical-Engineering-General Subjects-Science-General Subjects-Science-Physics-Applied? Subjects-Science-Technology-General&Reference ByPublisher-McGraw-Hill-McGraw-HillEngineeringStore-CivilEngineering-BuildingMaterials? ByPublisher-McGraw-Hill-McGraw-HillEngineeringStore-ElectricalEngineering-Circuits? Artificial Intelligence An Engineering Approach (Schaums Outline Series in Computers) Mcgraw-Hill College? Robert J. Schalkoff? Mcgraw-HillCollege? RobertJ.Schalkoff? ジャンル別? Subjects-Computers&Internet-ComputerScience-ArtificialIntelligence-General? Subjects-Computers&Internet-ComputerScience-ArtificialIntelligence-HumanVision&LanguageSystems? Subjects-Computers&Internet-Hardware-Mainframes? Subjects-Computers&Internet-General? Subjects-Science-General Subjects-Science-Technology-General&Reference Diesel Equipment 11 Design, Electronic Controls, Frames, Suspensions, Steering, Transmissions, Drive Lines, Air Conditioning Glencoe/Mcgraw Hill Post Secondary? Erich J. Schulz? Glencoe/McgrawHillPostSecondary? ErichJ.Schulz? ジャンル別? Subjects-Engineering-Mechanical-General? Subjects-Engineering-Mechanical-Engines-InternalCombustion? Subjects-Nonfiction-Transportation-General? Subjects-Nonfiction-Automotive-ClassicCars? Subjects-Nonfiction-Automotive-Repair? Subjects-Professional&Technical-Engineering-Mechanical-General? Subjects-Professional&Technical-Engineering-Mechanical-Engines-InternalCombustion? Subjects-Science-Technology-General&Reference Diesel Equipment One Lubrication, Hydraulics, Brakes, Wheels, Tires Glencoe/Mcgraw Hill Post Secondary? Erich J. Schulz? Glencoe/McgrawHillPostSecondary? ErichJ.Schulz? ジャンル別? Subjects-Engineering-Automotive? Subjects-Engineering-General? Subjects-Nonfiction-Automotive-ClassicCars? Subjects-Nonfiction-Automotive-Parts? Subjects-Nonfiction-Automotive-Repair? Subjects-Professional&Technical-Engineering-Automotive? Subjects-Professional&Technical-Engineering-General Subjects-Science-Technology-General&Reference Acid Rain Sourcebook Mcgraw-Hill (Tx)? Robert G. Schwieger? Thomas C. Elliott? Mcgraw-Hill(Tx)? RobertG.Schwieger? ThomasC.Elliott? ジャンル別? Substores-UnknownASINs-2? Subjects-Engineering-Civil-Environmental-General Subjects-Professional&Technical-Engineering-Civil-Environmental-General Subjects-Science-Technology-General&Reference Environmental Decision Making for Engineering and Business Managers Mcgraw-Hill (Tx)? Betty J. Seldner? Joseph P. Cothrel? Mcgraw-Hill(Tx)? BettyJ.Seldner? JosephP.Cothrel? ジャンル別? Subjects-Business&Investing-Careers-Entrepreneurship? Subjects-Business&Investing-Economics-SustainableDevelopment? Subjects-Business&Investing-Economics-NaturalResources Subjects-Business&Investing-General? Subjects-Business&Investing-Management&Leadership? Subjects-Engineering-Civil-Environmental-General Subjects-Nonfiction-Economics-SustainableDevelopment? Subjects-Nonfiction-Economics-NaturalResources Subjects-Outdoors&Nature-Environment? Subjects-Professional&Technical-Engineering-Civil-Environmental-General Subjects-Professional&Technical-Accounting&Finance-Economics-SustainableDevelopment? Subjects-Professional&Technical-Accounting&Finance-Economics-NaturalResources Subjects-Professional&Technical-BusinessManagement-Management&Leadership? Subjects-Reference-Careers-Entrepreneurship? Subjects-Science-Nature&Ecology-Environment? Subjects-Science-Technology-General&Reference Machine Design Fundamentals A Mechanical Designers' Workbook (Mcgraw-Hill Mechanical Designers Workbook Series) Mcgraw-Hill? Joseph E. Shigley? Charles R. Mischke? Mcgraw-Hill? JosephE.Shigley? CharlesR.Mischke? ジャンル別? Subjects-Engineering-Industrial,Manufacturing&OperationalSystems-Machinery? Subjects-Engineering-Mechanical-General? Subjects-Engineering-Mechanical-Machinery? Subjects-Professional&Technical-Engineering-Industrial,Manufacturing&OperationalSystems-Machinery? Subjects-Professional&Technical-Engineering-Mechanical-General? Subjects-Professional&Technical-Engineering-Mechanical-Machinery? Subjects-Science-General Subjects-Science-Technology-General&Reference Corrosion and Wear A Mechanical Designers' Workbook (Mcgraw Hill Mechanical Designer's Workbook Series) Mcgraw-Hill? Joseph E. Shigley? Charles R. Mischke? Mcgraw-Hill? JosephE.Shigley? CharlesR.Mischke? ジャンル別? Substores-UnknownASINs-2? Subjects-Science-Chemistry-Industrial&Technical? Subjects-Science-General Subjects-Science-Technology-General&Reference Fastening, Joining and Connecting (Mechanical Designer's Workbook Series) Mcgraw-Hill? Joseph E. Shigley? Charles R. Mischke? Mcgraw-Hill? JosephE.Shigley? CharlesR.Mischke? ジャンル別? Substores-UnknownASINs-2? Subjects-Engineering-Mechanical-General? Subjects-Professional&Technical-Engineering-Mechanical-General? Subjects-Science-General Subjects-Science-Technology-General&Reference Gearing A Mechanical Designer's Workbook (Mcgraw Hill Mechanical Designer's Workbook Series) Mcgraw-Hill? Joseph E. Shigley? Charles R. Mischke? Mcgraw-Hill? JosephE.Shigley? CharlesR.Mischke? ジャンル別? Substores-UnknownASINs-2? Subjects-Engineering-Mechanical-General? Subjects-Professional&Technical-Engineering-Mechanical-General? Subjects-Science-General Subjects-Science-Technology-General&Reference Mechanisms (Mechanical Designers' Workbook Series) Mcgraw-Hill? Joseph E. Shigley? Charles R. Mischke? Mcgraw-Hill? JosephE.Shigley? CharlesR.Mischke? ジャンル別? Subjects-Engineering-Industrial,Manufacturing&OperationalSystems-Machinery? Subjects-Engineering-Mechanical-General? Subjects-Engineering-Mechanical-Machinery? Subjects-Professional&Technical-Engineering-Industrial,Manufacturing&OperationalSystems-Machinery? Subjects-Professional&Technical-Engineering-Mechanical-General? Subjects-Professional&Technical-Engineering-Mechanical-Machinery? Subjects-Science-General Subjects-Science-Technology-General&Reference Bearings and Lubrication A Mechanical Designers Workbook (Mcgraw-Hill Mechanical Designers Workbook Series) Mcgraw-Hill? Joseph E. Shigley? Charles R. Mischke? Mcgraw-Hill? JosephE.Shigley? CharlesR.Mischke? ジャンル別? Substores-UnknownASINs-2? Subjects-Engineering-Mechanical-Tribology? Subjects-Professional&Technical-Engineering-Mechanical-Tribology? Subjects-Science-General Subjects-Science-Technology-General&Reference Electrical Fundamentals for Technicians Glencoe/Mcgraw-Hill? Robert L. Shrader? Glencoe/Mcgraw-Hill? RobertL.Shrader? ジャンル別? Substores-UnknownASINs-2? Subjects-Engineering-Electrical&Electronics-ElectromagneticTheory? Subjects-Professional&Technical-Engineering-Electrical&Electronics-ElectromagneticTheory? Subjects-Reference-General? Subjects-Science-Physics-Electromagnetism-General? Subjects-Science-Physics-Electromagnetism-Electricity? Subjects-Science-Technology-General&Reference Chemical Technician's Ready Reference Handbook McGraw-Hill Education? Gershon J. Shugar? McGraw-HillEducation? GershonJ.Shugar? ジャンル別? Subjects-Professional&Technical-Medical-BasicSciences-Chemistry? Subjects-Professional&Technical-ProfessionalScience-Chemistry-Clinical? Subjects-Reference? Subjects-Science-Chemistry-Clinical? Subjects-Science-Chemistry-Industrial&Technical? Subjects-Science-Experiments,Instruments&Measurement-ScientificInstruments? Subjects-Science-Technology-General&Reference Mechanical and Electrical Systems for Construction (Mcgraw Hill Series in Construction Engineering and Project Management) Mcgraw-Hill College? Riley Shuttleworth? Mcgraw-HillCollege? RileyShuttleworth? ジャンル別? Subjects-Engineering-Civil-Construction-BuildingConstruction? Subjects-Engineering-Civil-Construction-General? Subjects-Home&Garden-HomeDesign-Buildings&Construction? Subjects-Home&Garden-How-to&HomeImprovements-Plumbing&HouseholdAutomation? Subjects-Professional&Technical-Engineering-Civil-Construction-BuildingConstruction? Subjects-Professional&Technical-Engineering-Civil-Construction-General? Subjects-Science-General Subjects-Science-Technology-General&Reference ByPublisher-McGraw-Hill-McGraw-HillEngineeringStore-CivilEngineering-BuildingMaterials? Electrical Machines Direct and Alternating Currents Glencoe/Mcgraw-Hill? Charles Seymour Siskind? Glencoe/Mcgraw-Hill? CharlesSeymourSiskind? ジャンル別? Substores-UnknownASINs-2? Subjects-Reference-General? Subjects-Science-Technology-General&Reference Electrical Control Systems in Industry Glencoe/Mcgraw-Hill? Charles Seymour Siskind? Glencoe/Mcgraw-Hill? CharlesSeymourSiskind? ジャンル別? Substores-UnknownASINs-61? Subjects-Engineering-Telecommunications? Subjects-Professional&Technical-Engineering-Telecommunications? Subjects-Science-Technology-General&Reference Basic Thermodynamics Elements of Energy Systems Glencoe/Mcgraw-Hill? B. G. Skrotzki? Glencoe/Mcgraw-Hill? B.G.Skrotzki? ジャンル別? Substores-UnknownASINs-2? Subjects-Science-Physics-Dynamics-Thermodynamics? Subjects-Science-Technology-General&Reference Reliability-Centered Maintenance Mcgraw-Hill (Tx)? Anthony M. Smith? Mcgraw-Hill(Tx)? AnthonyM.Smith? ジャンル別? Subjects-Business&Investing-Management&Leadership-Management? Subjects-Engineering-Industrial,Manufacturing&OperationalSystems-IndustrialDesign? Subjects-Professional&Technical-Engineering-Industrial,Manufacturing&OperationalSystems-IndustrialDesign? Subjects-Professional&Technical-BusinessManagement-Management&Leadership-Management? Subjects-Reference-General? Subjects-Science-Technology-General&Reference ByPublisher-McGraw-Hill-McGraw-HillEngineeringStore-IndustrialEngineering-Industrial? ByPublisher-McGraw-Hill-McGraw-HillEngineeringStore-QualityEngineering-Manufacturing? C++ For Scientists and Engineers Computing Mcgraw-Hill? James T. Smith? ComputingMcgraw-Hill? JamesT.Smith? ジャンル別? Subjects-Computers&Internet-Programming-General? Subjects-Computers&Internet-Programming-Languages&Tools-C&C++-General? Subjects-Computers&Internet-Programming-Languages&Tools-C&C++-WindowsProgramming? Subjects-Science-Technology-General&Reference Managing New Technology Development (Mcgraw Hill Engineering and Technology Management Series) Mcgraw-Hill (Tx)? William E. Souder? J. Daniel Sherman? Mcgraw-Hill(Tx)? WilliamE.Souder? J.DanielSherman? ジャンル別? Subjects-Business&Investing-Careers-Entrepreneurship? Subjects-Business&Investing-Economics-EconomicPolicy&Development? Subjects-Business&Investing-Management&Leadership-Management? Subjects-Business&Investing-Management&Leadership-QualityControl? Subjects-Business&Investing-Marketing&Sales-Marketing-ProductManagement? Subjects-Engineering-General? Subjects-Engineering-Industrial,Manufacturing&OperationalSystems-IndustrialDesign? Subjects-Nonfiction-Economics-EconomicPolicy&Development? Subjects-Professional&Technical-Engineering-Industrial,Manufacturing&OperationalSystems-IndustrialDesign? Subjects-Professional&Technical-Engineering-General Subjects-Professional&Technical-Accounting&Finance-Economics-EconomicPolicy&Development? Subjects-Professional&Technical-BusinessManagement-Management&Leadership-Management? Subjects-Professional&Technical-BusinessManagement-Management&Leadership-QualityControl? Subjects-Professional&Technical-BusinessManagement-Marketing&Sales-Marketing-ProductManagement? Subjects-Reference-Careers-Entrepreneurship? Subjects-Science-General Subjects-Science-Technology-General&Reference Managing Technology The Strategic View (Mcgraw-Hill Engineering and Technology Management Series) Mcgraw-Hill (Tx)? Lowell W. Steele? Mcgraw-Hill(Tx)? LowellW.Steele? ジャンル別? Subjects-Business&Investing-Management&Leadership-Management? Subjects-Business&Investing-Management&Leadership-Production&Operations? Subjects-Professional&Technical-BusinessManagement-Management&Leadership-Management? Subjects-Professional&Technical-BusinessManagement-Management&Leadership-Production&Operations? Subjects-Science-General Subjects-Science-Technology-General&Reference Engineering Economic Principles McGraw-Hill Education? Henry M. Steiner? McGraw-HillEducation? HenryM.Steiner? ジャンル別? Subjects-Business&Investing-Economics? Subjects-Nonfiction-Economics? Subjects-Professional&Technical-Accounting&Finance-Economics? Subjects-Science-Technology-General&Reference Filing Systems and Records Management Glencoe/Mcgraw-Hill? J. R. Stewart? Glencoe/Mcgraw-Hill? J.R.Stewart? ジャンル別? Substores-UnknownASINs-61? Subjects-Business&Investing-General? Subjects-Engineering-Mechanical-General? Subjects-Professional&Technical-Engineering-Mechanical-General? Subjects-Science-Technology-General&Reference Office Technology Information Processing Skills Mathematics Glencoe/Mcgraw-Hill? Thomas G. Sticht? Glencoe/Mcgraw-Hill? ThomasG.Sticht? ジャンル別? Substores-UnknownASINs-2? Subjects-Science-General Subjects-Science-Technology-General&Reference Systems Drafting Creative Reprographics for Architects and Engineers Mcgraw-Hill (Tx)? Fred A. Stitt? Mcgraw-Hill(Tx)? FredA.Stitt? ジャンル別? Substores-UnknownASINs-2? Subjects-Arts&Photography-Architecture-Drawing&Modelling-General? Subjects-Engineering-Mechanical-Drafting&MechanicalDrawing? Subjects-Professional&Technical-Engineering-Mechanical-Drafting&MechanicalDrawing? Subjects-Professional&Technical-Architecture-Drawing&Modelling-General? Subjects-Reference-General? Subjects-Science-Technology-General&Reference Systems Graphics McGraw-Hill Education? Fred A. Stitt? McGraw-HillEducation? FredA.Stitt? ジャンル別? Subjects-Reference-General? Subjects-Science-Technology-General&Reference Optical Scattering Measurement and Analysis (Optical and Electro-Optical Engineering Series) Mcgraw-Hill (Tx)? John C. Stover? Mcgraw-Hill(Tx)? JohnC.Stover? ジャンル別? Substores-UnknownASINs-2? Subjects-Engineering-Electrical&Electronics-Optics-General? Subjects-Professional&Technical-Engineering-Electrical&Electronics-Optics-General? Subjects-Professional&Technical-ProfessionalScience-Physics-Light? Subjects-Reference-General? Subjects-Science-General Subjects-Science-Physics-Light-General? Subjects-Science-Technology-General&Reference Applied Probability for Engineers and Scientists Mcgraw-Hill (Tx)? Ephraim Suhir? Mcgraw-Hill(Tx)? EphraimSuhir? ジャンル別? Subjects-Engineering-Electrical&Electronics-General? Subjects-Professional&Technical-Engineering-Electrical&Electronics-General? Subjects-Professional&Technical-ProfessionalScience-Mathematics-Applied-Statistics? Subjects-Reference-General? Subjects-Science-Mathematics-Applied-General? Subjects-Science-Mathematics-Applied-Probability&Statistics? Subjects-Science-Mathematics-Applied-Engineering-General? Subjects-Science-Technology-General&Reference Open Channel Hydraulics (Mcgraw Hill Series in Water Resources and Environmental Engineering) McGraw-Hill Science/Engineering/Math? Terry W. Sturm? McGraw-HillScience/Engineering/Math? TerryW.Sturm? ジャンル別? Subjects-Engineering-Civil-General? Subjects-Engineering-Civil-Hydrology? Subjects-Engineering-Civil-Environmental-General Subjects-Engineering-Civil-Environmental-Hydraulics? Subjects-Outdoors&Nature-Ecology-LivingontheLand? Subjects-Professional&Technical-Engineering-Civil-General? Subjects-Professional&Technical-Engineering-Civil-Hydrology? Subjects-Professional&Technical-Engineering-Civil-Environmental-General Subjects-Professional&Technical-Engineering-Civil-Environmental-Hydraulics? Subjects-Science-General Subjects-Science-Technology-General&Reference Criminal Investigation Mcgraw-Hill College? Charles R. Swanson? Neil C. Chamelin? Leonard Territo? Mcgraw-HillCollege? CharlesR.Swanson? NeilC.Chamelin? LeonardTerrito? ジャンル別? Subjects-Nonfiction-SocialSciences-Sociology-General? Subjects-Nonfiction-Crime&Criminals-Criminology? Subjects-Nonfiction-Crime&Criminals-ForensicScience? Subjects-Nonfiction-CurrentEvents-Poverty-SocialServices&Welfare? Subjects-Science-Technology-General&Reference Heat Exchangers Theory and Practice Mcgraw-Hill (Tx)? J. Taborek? Mcgraw-Hill(Tx)? J.Taborek? ジャンル別? Substores-UnknownASINs-2? Subjects-Engineering-Aerospace-AdvancedMechanics? Subjects-Engineering-Civil-Mechanics? Subjects-Engineering-Mechanical-General? Subjects-Professional&Technical-Engineering-Civil-Mechanics? Subjects-Professional&Technical-Engineering-Aerospace-AdvancedMechanics? Subjects-Professional&Technical-Engineering-Mechanical-General? Subjects-Science-Physics-Applied? Subjects-Science-Technology-General&Reference Tpm Implementation A Japanese Approach Mcgraw-Hill (Tx)? Masaji Tajiri? Fumio Gotoh? Mcgraw-Hill(Tx)? MasajiTajiri? FumioGotoh? ジャンル別? Subjects-Business&Investing-General? Subjects-Business&Investing-Industries&Professions-RealEstate-General? Subjects-Business&Investing-Management&Leadership-Management? Subjects-Engineering-Civil-Structural? Subjects-Professional&Technical-Engineering-Civil-Structural? Subjects-Professional&Technical-Accounting&Finance-Industries&Professions-RealEstate-General? Subjects-Professional&Technical-BusinessManagement-Management&Leadership-Management? Subjects-Science-Chemistry-Industrial&Technical? Subjects-Science-Technology-General&Reference ByPublisher-McGraw-Hill-McGraw-HillEngineeringStore-CivilEngineering-StructuralEngineering? ByPublisher-McGraw-Hill-McGraw-HillEngineeringStore-IndustrialEngineering-Industrial? Engineering Economy Mcgraw-Hill College? Leland T. Blank? Anthony J. Tarquin? Mcgraw-HillCollege? LelandT.Blank? AnthonyJ.Tarquin? ジャンル別? Subjects-Business&Investing-Economics? Subjects-Business&Investing-Finance-CorporateFinance? Subjects-Business&Investing-Management&Leadership? Subjects-Engineering-Economics? Subjects-Engineering-Industrial,Manufacturing&OperationalSystems-EngineeringEconomics? Subjects-Engineering-Mechanical-General? Subjects-Nonfiction-Economics? Subjects-Professional&Technical-Engineering-Industrial,Manufacturing&OperationalSystems-EngineeringEconomics? Subjects-Professional&Technical-Engineering-Mechanical-General? Subjects-Professional&Technical-Engineering-Economics? Subjects-Professional&Technical-Accounting&Finance-Finance-CorporateFinance? Subjects-Professional&Technical-Accounting&Finance-Economics? Subjects-Professional&Technical-BusinessManagement-Management&Leadership? Subjects-Science-General Subjects-Science-Technology-General&Reference Quality Control Systems Procedures for Planning Quality Programs Mcgraw-Hill (Tx)? James Robert Taylor? Mcgraw-Hill(Tx)? JamesRobertTaylor? ジャンル別? Substores-UnknownASINs-2? Subjects-Business&Investing-Management&Leadership-QualityControl? Subjects-Professional&Technical-BusinessManagement-Management&Leadership-QualityControl? Subjects-Science-General Subjects-Science-Technology-General&Reference Optimization and Variation Reduction in Quality Mcgraw-Hill (Tx)? Wayne A. Taylor? Mcgraw-Hill(Tx)? WayneA.Taylor? ジャンル別? Subjects-Business&Investing-Management&Leadership-QualityControl? Subjects-Engineering-Industrial,Manufacturing&OperationalSystems-QualityControl? Subjects-Professional&Technical-Engineering-Industrial,Manufacturing&OperationalSystems-QualityControl? Subjects-Professional&Technical-BusinessManagement-Management&Leadership-QualityControl? Subjects-Science-General Subjects-Science-Mathematics-Applied-Engineering-Modeling? Subjects-Science-Technology-General&Reference ByPublisher-McGraw-Hill-McGraw-HillEngineeringStore-QualityEngineering-Manufacturing? ByPublisher-McGraw-Hill-McGraw-HillEngineeringStore-QualityEngineering-Quality? Drawing Fashion Glencoe/Mcgraw-Hill? W. Thames? Glencoe/Mcgraw-Hill? W.Thames? ジャンル別? Subjects-Arts&Photography-GraphicDesign-Commercial-Advertising? Subjects-Arts&Photography-GraphicDesign-Commercial-FashionDesign? Subjects-Arts&Photography-GraphicDesign-Drawing-General? Subjects-Home&Garden-Crafts&Hobbies-Fashion? Subjects-Home&Garden-Crafts&Hobbies-General? Subjects-Science-Technology-General&Reference Plumbing Fundamentals Glencoe/Mcgraw-Hill? J. L. Thiesse? Glencoe/Mcgraw-Hill? J.L.Thiesse? ジャンル別? Substores-UnknownASINs-2? Subjects-Engineering-Civil-Construction-BuildingConstruction? Subjects-Engineering-Civil-Construction-General? Subjects-Engineering-Civil-Construction-Plumbing? Subjects-Home&Garden-How-to&HomeImprovements-Plumbing&HouseholdAutomation? Subjects-Professional&Technical-Engineering-Civil-Construction-BuildingConstruction? Subjects-Professional&Technical-Engineering-Civil-Construction-General? Subjects-Professional&Technical-Engineering-Civil-Construction-Plumbing? Subjects-Science-Technology-General&Reference ByPublisher-McGraw-Hill-McGraw-HillEngineeringStore-Construction-Plumbing? Problems in Technical Illustration McGraw-Hill Education? T.A. Thomas? McGraw-HillEducation? T.A.Thomas? ジャンル別? Subjects-Reference-General? Subjects-Science-Technology-General&Reference Technical Illustration Glencoe/Mcgraw-Hill? T. A. Thomas? Glencoe/Mcgraw-Hill? T.A.Thomas? ジャンル別? Substores-UnknownASINs-2? Subjects-Engineering-Mechanical-Drafting&MechanicalDrawing? Subjects-Engineering-Mechanical-General? Subjects-Professional&Technical-Engineering-Mechanical-Drafting&MechanicalDrawing? Subjects-Professional&Technical-Engineering-Mechanical-General? Subjects-Science-Technology-General&Reference How to Prepare for the Step 1 Medical Exam (A Pretest Publication) Mcgraw-Hill (Tx)? John R. Thornborough? Hilary J. Schmidt? Mcgraw-Hill(Tx)? JohnR.Thornborough? HilaryJ.Schmidt? ジャンル別? Subjects-Medicine-Education&Training-General? Subjects-Medicine-Education&Training-TestPreparation&Review? Subjects-Medicine-General? Subjects-Medicine-InternalMedicine? 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Subjects-Engineering-Mechanical-Automation? Subjects-Engineering-Mechanical-General? Subjects-Engineering-Electrical&Electronics-Electronics-Apparatus,Devices&Design? Subjects-Professional&Technical-Engineering-Civil-Mechanics? Subjects-Professional&Technical-Engineering-Industrial,Manufacturing&OperationalSystems-General? Subjects-Professional&Technical-Engineering-Aerospace-AdvancedMechanics? Subjects-Professional&Technical-Engineering-Mechanical-Automation? Subjects-Professional&Technical-Engineering-Mechanical-General? Subjects-Professional&Technical-Engineering-Electrical&Electronics-Electronics-Apparatus,Devices&Design? Subjects-Professional&Technical-BusinessManagement-Management&Leadership-OperationsResearch? Subjects-Science-General Subjects-Science-Physics-Applied? Subjects-Science-Technology-General&Reference MacHinists' Ready Reference Manual Mcgraw-Hill (Tx)? John E. Traister? Mcgraw-Hill(Tx)? JohnE.Traister? ジャンル別? Substores-UnknownASINs-2? Subjects-Engineering-Aerospace-AdvancedMechanics? Subjects-Engineering-Civil-Mechanics? Subjects-Engineering-Mechanical-General? Subjects-Home&Garden-How-to&HomeImprovements-PowerTools? Subjects-Professional&Technical-Engineering-Civil-Mechanics? Subjects-Professional&Technical-Engineering-Aerospace-AdvancedMechanics? Subjects-Professional&Technical-Engineering-Mechanical-General? Subjects-Reference-General? Subjects-Science-General Subjects-Science-Physics-Applied? Subjects-Science-Technology-General&Reference Engineering Mathematics Handbook Definitions, Theorems, Formulas, Tables Mcgraw-Hill (Tx)? Jan J. Tuma? Mcgraw-Hill(Tx)? JanJ.Tuma? ジャンル別? Substores-UnknownASINs-2? Subjects-Engineering-Mechanical-General? Subjects-Professional&Technical-Engineering-Mechanical-General? Subjects-Science-General Subjects-Science-Mathematics-General? Subjects-Science-Mathematics-Applied-Engineering-General? Subjects-Science-Technology-General&Reference Principles of Underwater Sound Mcgraw-Hill (Tx)? Robert J. Urick? Mcgraw-Hill(Tx)? RobertJ.Urick? ジャンル別? Substores-UnknownASINs-2? Subjects-Professional&Technical-ProfessionalScience-Physics-Acoustics&Sound? Subjects-Science-Physics-Acoustics&Sound? Subjects-Science-Physics-General? Subjects-Science-Technology-General&Reference Civil Engineering Handbook Mcgraw-Hill (Tx)? Leonard Church Urquhart? Mcgraw-Hill(Tx)? LeonardChurchUrquhart? ジャンル別? Substores-UnknownASINs-2? Subjects-Reference-General? Subjects-Science-Technology-General&Reference Power Plant Technology McGraw-Hill Education? M.M. El-Wakil? McGraw-HillEducation? M.M.El-Wakil? ジャンル別? Subjects-Engineering-General? Subjects-Professional&Technical-Engineering-General Subjects-Science-Technology-General&Reference Subjects-Science-Technology-General&Reference 洋書
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The story below is originally published on Mainichi Daily News by Mainichi Shinbun (http //mdn.mainichi.jp). They admitted inventing its kinky features, or rather deliberately mistranslating them from the original gossip magazine. In fact, this is far from the general Japanese' behavior or sense of worth. このページは、毎日新聞事件の検証のための配信記事対訳ページです。直接ジャンプして来られた方は、必ずFAQをお読みください。 ※ この和訳はあくまでもボランティアの方々による一例であり、翻訳の正確さについては各自判断してください。もし誤訳（の疑い）を発見した場合には、直接ページを編集して訂正するか翻訳者連絡掲示板に報告してください。 Stressed teachers indulging their wild sides with coworkers, parents -- and studentsストレスを感じている教師たちが奔放な欲望を思いのままに満たすための相手は、職場の仲間や親、さらには教え子 拡散状況 関連ページ Stressed teachers indulging their wild sides with coworkers, parents -- and students ストレスを感じている教師たちが奔放な欲望を思いのままに満たすための相手は、職場の仲間や親、さらには教え子 元記事（削除済み)：http //mdn.mainichi.jp/culture/waiwai/news/20070430p2g00m0dm022000c 0 Stressed teachers indulging their wild sides with coworkers, parents -- and students 2007,4,30 Shukan Taishu 5/7-14 By Ryann Connell ストレスを感じている教師たちが奔放な欲望を思いのままに満たすための相手は、職場の仲間や親、さらには教え子 2007,4,30 週刊大衆 5/7-14 ライアン・コネル記 1 Early spring brings a new academic year to Japan and, with all the stresses of graduations and getting used to a new bunch of kids, it can often mean teachers act in ways they wouldn't normally do, frequently with carnal consequences, according to Shukan Taishu (5/7-14). 早春は日本に新学年度のはじまりを運んでくるが、卒業に伴うストレスや新入生たちに慣れることなどのせいで、教師は通常なら行わないことを行い、結果として頻繁に肉欲的な事態が起こる。週刊大衆(5/7-14)より。 2 Take the case of 25-year-old junior high school teacher Emi Yasuoka, who's now embroiled in a steamy relationship with the former head teacher at her school. 25才の中学校教師・ヤスオカエミの事例を上げよう。彼女の学校の前校長とのアツアツの関係の中で、彼女はのぼせている。 3 "It's only my second year of teaching. Whenever I write something on the blackboard, the kids all throw erasers at my ass or use mirrors to try and look up my skirt. I've cried so many times during class," Yasuoka tells Shukan Taishu, adding that the head teacher transferred to a different school in March was the only person who ever came to her aid. As a sign of gratitude, she took the 44-year-old head teacher out for dinner. When they finished eating, he thanked her for the chance to go on a date with such a beautiful woman. 「教師になってまだ2年目です。私が板書するときは必ず、生徒全員が私のお尻めがけて消しゴムを投げたり鏡を使ってスカートの中を覗き見しようとします。私は何度も何度も授業中に泣きました」とヤスオカは週刊大衆に語り、3月に別の学校に転勤した校長が、彼女を救けに来てくれた唯一人の人物だと付け加える。 感謝のしるしとして、彼女はこの44才の校長と連れ立ってディナーに行った。 二人が食べ終わると、こんなに美しい女性と一緒にデートする機会を彼女がくれたことを、彼は感謝した。 4 "When I heard that, I suddenly filled with loneliness and before I knew it, I'd flung my arms around him," she says. 「それを聞いたとき、私は突然さびしさでいっぱいになり、気がつけば両手で彼に抱きついていました」と彼女は言う。 5 They were soon locked in an even more intimate manner and her partner showed her another reason why he was called the head teacher. すぐに二人はより親密な挙動でかたく絡み合い、そして彼女の相手は、校長が別の分野においても秀でていることを彼女に披露した。 6 "He flicked his tongue like a bullet on a really sensitive part and I thought something was going to pop out of me. He urged me on, saying, 'Go on, go on, finish.' When I did, something really did start coming out. It was the first time something like that had happened to me," Yasuoka says, adding she's due to meet the teacher again after Golden Week. 「彼は舌を弾丸のようにしてとっても敏感なアソコをねぶり、私は身体から何かが飛び出ちゃいそうだと思いました。彼は私を強く促して、「続けて、続けて、やめて」と言いました。私がすると、何かが本当に外に出始めたのです。私にあんな事が起こったのは初めてでした」とヤスオカは言い、彼は校長とゴールデンウィーク後に又会うことになっていると付け加える。 7 Also likely to meet again are elementary school teacher Mie Kanai, 37, and the 32-year-old father of one of her third grade pupils. 同様に又会うことになりそうなのは、小学校教師カナイミエ(37)と、彼女が教える三年生の生徒の一人の32才の父親である。 8 "One day while taking a walk beside a river near my apartment, this surfer-looking guy came over and started talking to me. I'd never met him before, but he said he was the father of one of the boys in my class. I was surprised how young he looked," Kanai tells Shukan Taishu. 「ある日私のアパートメントの近くの川に沿って散歩していると、そのサーファー風の男がやってきて、私に話しかけ始めました。それまで私は彼に一度も会ったことがありませんでしたが、自分は私のクラスの男子生徒の一人の父親だ、と彼は言いました。彼がとっても若々しかったので私は驚きました」とカナイは週刊大衆に語る。 9 The father soon showed his juvenile side, however, when he remarked to Kanai that his son had told him his teacher's breasts were bouncy and that the boy had got his assumption right. Kanai says she laughed at the ice-breaking comment. The pair became friends and went out drinking, but the teacher took in a little too much. One thing led to another, and the pair began a relationship. だが父親はすぐに子どもっぽい側面を見せた。先生の胸はボインボインだと息子から聞いていたが息子の見込みは正しかった、とカナイに言ったのである。 緊張をほぐすこの言葉を聞いて笑った、とカナイは言う。 二人は友だちになり飲みに出かけたが、この教師はいささか打ち解けすぎてしまった。 あることが別のことの呼び水となってゆき、かくして二人は関係を持つようになった。 10 "I realize it wasn't good, but it had been so long since I'd been with a man -- three years, in fact," she says. "Once I'd felt his touch, I just couldn't hold back." 「あれはよくないことだったと分かっていますが、私は彼氏がいなかったんです、長い間……もっとはっきりいえば3年です」と彼女は言う。 「彼に触られるのを感じるとすぐ、もう私は抑えが効かなくなったんです」 11 There was no holding back from Meika Matsushima, either. The 34-year-old high school piano teacher sought refuge in the classroom from her sexless marriage to a 39-year-old pen pushing government bureaucrat. マツシマメイカもやはり、ちっとも抑えが効かなかった。 この34才の高校のピアノ教師は、政府の官僚である３９才のお役人さんとの性的に冷淡な結婚生活からの逃げ場を、教室の中に求めた。 12 "Sex with my husband was always the same. It's boring. Honestly, I'd rather do myself than be with my husband," she says, adding that she frequently fantasized about the boys in her classroom. 「夫とのセックスはいつもおんなじでした。うんざりです。正直なところ、私は夫とヤルより自分自身だけでスルほうが好きです」と彼女は言い、彼女はしばしば自分の教室の少年について妄想していたと付け加える。 13 Matsushima bordered on the criminal with one of her former students she was employed to give private lessons as he attempted to get into a top music college. They ended up alone one day and his remark that she resembled a popular actress saw Matsushima transform her fantasy into a reality. She was soon naked on all fours on a bed with the teen's attentions taken from his piano to his organ. マツシマは彼女の元教え子の一人と犯罪スレスレのことをした。元教え子が一流音大への入学を目指したので、プライベートレッスンをするために彼女はやとわれていた。 ある日二人は二人きりになって、彼女は有名女優に似ていると彼が言ったことをきっかけに、彼女は妄想を現実のものとした。 彼女はすぐにベッドの上で裸で大の字になり、十代の受験生の注意はピアノからアノ部分へと移った。 14 "It was like being in a dream land," the seductress tells Shukan Taishu. "It was an incredible thrill to be making love to a former student. It was way beyond anything I could have fantasized about." (By Ryann Connell) April 30, 2007 「あれはまるで夢の国にいるみたいでした」と、この女誘惑者は週刊大衆に語る。 「元教え子とメイクラブすることは信じられないほどの興奮で、私がそれまで妄想していたどんなこともはるかに超えていました」 （ライアン・コネル記） 2007年4月30日 拡散状況 Blogger 部分転載：http //relaxedfocus.blogspot.com/2008/04/full-article-is-hilarious.html Blogger：その他 部分転載：http //relaxedfocus.blogspot.com/2008/04/full-article-is-hilarious.html CRNジャパン(日本の子供の人権ネットワーク) http //www.crnjapan.com/articles/2007/en/20070503-stressed_teachers.html Cultures & Traditions http //cultrad.blogspot.com/2007/05/stressed-japanese-teachers-finding.html JDorama.com http //www.jdorama.com/viewtopic.php?p=656423#656423 SkyDrive http //cid-88684d2bf683ba51.skydrive.live.com/self.aspx/mainichi/moto/2007/2007.04/Stressed%20teachers%20indulging%20their%20wild%20sides%20with%20coworkers,%20parents%20--%20and%20.pdf 英語サイト http //forums.hardwarezone.com.sg/showthread.php?t=2109590 page=3 http //www.sgclub.com/singapore/stressed_teachers_indulging_11628.html 関連ページ Blogger Blogger：その他 CRNジャパン(日本の子供の人権ネットワーク) Cultures Traditions JDorama.com SkyDrive WaiWaiの記事を転載した英語サイト：H WaiWaiの記事を転載した英語サイト：S 毎日新聞英語版から配信された記事2007年(1月 - 6月)
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CHAPTER I UP CHAPTER III CHAPTER II Matthew Cuthbert is surprised Matthew Cuthbert and the sorrel mare jogged comfortably over the eight miles to Bright River. It was a pretty road, running along between snug farmsteads, with now and again a bit of balsamy fir wood to drive through or a hollow where wild plums hung out their filmy bloom. The air was sweet with the breath of many apple orchards and the meadows sloped away in the distance to horizon mists of pearl and purple; while "The little birds sang as if it were The one day of summer in all the year." Matthew enjoyed the drive after his own fashion, except during the moments when he met women and had to nod to them-- for in Prince Edward island you are supposed to nod to all and sundry you meet on the road whether you know them or not. Matthew dreaded all women except Marilla and Mrs. Rachel; he had an uncomfortable feeling that the mysterious creatures were secretly laughing at him. He may have been quite right in thinking so, for he was an odd-looking personage, with an ungainly figure and long iron-gray hair that touched his stooping shoulders, and a full, soft brown beard which he had worn ever since he was twenty. In fact, he had looked at twenty very much as he looked at sixty, lacking a little of the grayness. When he reached Bright River there was no sign of any train; he thought he was too early, so he tied his horse in the yard of the small Bright River hotel and went over to the station house. The long platform was almost deserted; the only living creature in sight being a girl who was sitting on a pile of shingles at the extreme end. Matthew, barely noting that it WAS a girl, sidled past her as quickly as possible without looking at her. Had he looked he could hardly have failed to notice the tense rigidity and expectation of her attitude and expression. She was sitting there waiting for something or somebody and, since sitting and waiting was the only thing to do just then, she sat and waited with all her might and main. Matthew encountered the stationmaster locking up the ticket office preparatory to going home for supper, and asked him if the five-thirty train would soon be along. "The five-thirty train has been in and gone half an hour ago," answered that brisk official. "But there was a passenger dropped off for you--a little girl. She s sitting out there on the shingles. I asked her to go into the ladies waiting room, but she informed me gravely that she preferred to stay outside. `There was more scope for imagination, she said. She s a case, I should say." "I m not expecting a girl," said Matthew blankly. "It s a boy I ve come for. He should be here. Mrs. Alexander Spencer was to bring him over from Nova Scotia for me." The stationmaster whistled. "Guess there s some mistake," he said. "Mrs. Spencer came off the train with that girl and gave her into my charge. Said you and your sister were adopting her from an orphan asylum and that you would be along for her presently. That s all I know about it--and I haven t got any more orphans concealed hereabouts." "I don t understand," said Matthew helplessly, wishing that Marilla was at hand to cope with the situation. "Well, you d better question the girl," said the station- master carelessly. "I dare say she ll be able to explain-- she s got a tongue of her own, that s certain. Maybe they were out of boys of the brand you wanted." He walked jauntily away, being hungry, and the unfortunate Matthew was left to do that which was harder for him than bearding a lion in its den--walk up to a girl--a strange girl--an orphan girl--and demand of her why she wasn t a boy. Matthew groaned in spirit as he turned about and shuffled gently down the platform towards her. She had been watching him ever since he had passed her and she had her eyes on him now. Matthew was not looking at her and would not have seen what she was really like if he had been, but an ordinary observer would have seen this A child of about eleven, garbed in a very short, very tight, very ugly dress of yellowish-gray wincey. She wore a faded brown sailor hat and beneath the hat, extending down her back, were two braids of very thick, decidedly red hair. Her face was small, white and thin, also much freckled; her mouth was large and so were her eyes, which looked green in some lights and moods and gray in others. So far, the ordinary observer; an extraordinary observer might have seen that the chin was very pointed and pronounced; that the big eyes were full of spirit and vivacity; that the mouth was sweet-lipped and expressive; that the forehead was broad and full; in short, our discerning extraordinary observer might have concluded that no commonplace soul inhabited the body of this stray woman- child of whom shy Matthew Cuthbert was so ludicrously afraid. Matthew, however, was spared the ordeal of speaking first, for as soon as she concluded that he was coming to her she stood up, grasping with one thin brown hand the handle of a shabby, old-fashioned carpet-bag; the other she held out to him. "I suppose you are Mr. Matthew Cuthbert of Green Gables?" she said in a peculiarly clear, sweet voice. "I m very glad to see you. I was beginning to be afraid you weren t coming for me and I was imagining all the things that might have happened to prevent you. I had made up my mind that if you didn t come for me to-night I d go down the track to that big wild cherry-tree at the bend, and climb up into it to stay all night. I wouldn t be a bit afraid, and it would be lovely to sleep in a wild cherry-tree all white with bloom in the moonshine, don t you think? You could imagine you were dwelling in marble halls, couldn t you? And I was quite sure you would come for me in the morning, if you didn t to-night." Matthew had taken the scrawny little hand awkwardly in his; then and there he decided what to do. He could not tell this child with the glowing eyes that there had been a mistake; he would take her home and let Marilla do that. She couldn t be left at Bright River anyhow, no matter what mistake had been made, so all questions and explanations might as well be deferred until he was safely back at Green Gables. "I m sorry I was late," he said shyly. "Come along. The horse is over in the yard. Give me your bag." "Oh, I can carry it," the child responded cheerfully. "It isn t heavy. I ve got all my worldly goods in it, but it isn t heavy. And if it isn t carried in just a certain way the handle pulls out--so I d better keep it because I know the exact knack of it. It s an extremely old carpet-bag. Oh, I m very glad you ve come, even if it would have been nice to sleep in a wild cherry-tree. We ve got to drive a long piece, haven t we? Mrs. Spencer said it was eight miles. I m glad because I love driving. Oh, it seems so wonderful that I m going to live with you and belong to you. I ve never belonged to anybody--not really. But the asylum was the worst. I ve only been in it four months, but that was enough. I don t suppose you ever were an orphan in an asylum, so you can t possibly understand what it is like. It s worse than anything you could imagine. Mrs. Spencer said it was wicked of me to talk like that, but I didn t mean to be wicked. It s so easy to be wicked without knowing it, isn t it? They were good, you know--the asylum people. But there is so little scope for the imagination in an asylum--only just in the other orphans. It was pretty interesting to imagine things about them--to imagine that perhaps the girl who sat next to you was really the daughter of a belted earl, who had been stolen away from her parents in her infancy by a cruel nurse who died before she could confess. I used to lie awake at nights and imagine things like that, because I didn t have time in the day. I guess that s why I m so thin--I AM dreadful thin, ain t I? There isn t a pick on my bones. I do love to imagine I m nice and plump, with dimples in my elbows." With this Matthew s companion stopped talking, partly because she was out of breath and partly because they had reached the buggy. Not another word did she say until they had left the village and were driving down a steep little hill, the road part of which had been cut so deeply into the soft soil, that the banks, fringed with blooming wild cherry-trees and slim white birches, were several feet above their heads. The child put out her hand and broke off a branch of wild plum that brushed against the side of the buggy. "Isn t that beautiful? What did that tree, leaning out from the bank, all white and lacy, make you think of?" she asked. "Well now, I dunno," said Matthew. "Why, a bride, of course--a bride all in white with a lovely misty veil. I ve never seen one, but I can imagine what she would look like. I don t ever expect to be a bride myself. I m so homely nobody will ever want to marry me-- unless it might be a foreign missionary. I suppose a foreign missionary mightn t be very particular. But I do hope that some day I shall have a white dress. That is my highest ideal of earthly bliss. I just love pretty clothes. And I ve never had a pretty dress in my life that I can remember--but of course it s all the more to look forward to, isn t it? And then I can imagine that I m dressed gorgeously. This morning when I left the asylum I felt so ashamed because I had to wear this horrid old wincey dress. All the orphans had to wear them, you know. A merchant in Hopeton last winter donated three hundred yards of wincey to the asylum. Some people said it was because he couldn t sell it, but I d rather believe that it was out of the kindness of his heart, wouldn t you? When we got on the train I felt as if everybody must be looking at me and pitying me. But I just went to work and imagined that I had on the most beautiful pale blue silk dress--because when you ARE imagining you might as well imagine something worth while--and a big hat all flowers and nodding plumes, and a gold watch, and kid gloves and boots. I felt cheered up right away and I enjoyed my trip to the Island with all my might. I wasn t a bit sick coming over in the boat. Neither was Mrs. Spencer although she generally is. She said she hadn t time to get sick, watching to see that I didn t fall overboard. She said she never saw the beat of me for prowling about. But if it kept her from being seasick it s a mercy I did prowl, isn t it? And I wanted to see everything that was to be seen on that boat, because I didn t know whether I d ever have another opportunity. Oh, there are a lot more cherry-trees all in bloom! This Island is the bloomiest place. I just love it already, and I m so glad I m going to live here. I ve always heard that Prince Edward Island was the prettiest place in the world, and I used to imagine I was living here, but I never really expected I would. It s delightful when your imaginations come true, isn t it? But those red roads are so funny. When we got into the train at Charlottetown and the red roads began to flash past I asked Mrs. Spencer what made them red and she said she didn t know and for pity s sake not to ask her any more questions. She said I must have asked her a thousand already. I suppose I had, too, but how you going to find out about things if you don t ask questions? And what DOES make the roads red?" "Well now, I dunno," said Matthew. "Well, that is one of the things to find out sometime. Isn t it splendid to think of all the things there are to find out about? It just makes me feel glad to be alive-- it s such an interesting world. It wouldn t be half so interesting if we know all about everything, would it? There d be no scope for imagination then, would there? But am I talking too much? People are always telling me I do. Would you rather I didn t talk? If you say so I ll stop. I can STOP when I make up my mind to it, although it s difficult." Matthew, much to his own surprise, was enjoying himself. Like most quiet folks he liked talkative people when they were willing to do the talking themselves and did not expect him to keep up his end of it. But he had never expected to enjoy the society of a little girl. Women were bad enough in all conscience, but little girls were worse. He detested the way they had of sidling past him timidly, with sidewise glances, as if they expected him to gobble them up at a mouthful if they ventured to say a word. That was the Avonlea type of well-bred little girl. But this freckled witch was very different, and although he found it rather difficult for his slower intelligence to keep up with her brisk mental processes he thought that he "kind of liked her chatter." So he said as shyly as usual "Oh, you can talk as much as you like. I don t mind." "Oh, I m so glad. I know you and I are going to get along together fine. It s such a relief to talk when one wants to and not be told that children should be seen and not heard. I ve had that said to me a million times if I have once. And people laugh at me because I use big words. But if you have big ideas you have to use big words to express them, haven t you?" "Well now, that seems reasonable," said Matthew. "Mrs. Spencer said that my tongue must be hung in the middle. But it isn t--it s firmly fastened at one end. Mrs. Spencer said your place was named Green Gables. I asked her all about it. And she said there were trees all around it. I was gladder than ever. I just love trees. And there weren t any at all about the asylum, only a few poor weeny-teeny things out in front with little whitewashed cagey things about them. They just looked like orphans themselves, those trees did. It used to make me want to cry to look at them. I used to say to them, `Oh, you POOR little things! If you were out in a great big woods with other trees all around you and little mosses and Junebells growing over your roots and a brook not far away and birds singing in you branches, you could grow, couldn t you? But you can t where you are. I know just exactly how you feel, little trees. I felt sorry to leave them behind this morning. You do get so attached to things like that, don t you? Is there a brook anywhere near Green Gables? I forgot to ask Mrs. Spencer that." "Well now, yes, there s one right below the house." "Fancy. It s always been one of my dreams to live near a brook. I never expected I would, though. Dreams don t often come true, do they? Wouldn t it be nice if they did? But just now I feel pretty nearly perfectly happy. I can t feel exactly perfectly happy because--well, what color would you call this?" She twitched one of her long glossy braids over her thin shoulder and held it up before Matthew s eyes. Matthew was not used to deciding on the tints of ladies tresses, but in this case there couldn t be much doubt. "It s red, ain t it?" he said. The girl let the braid drop back with a sigh that seemed to come from her very toes and to exhale forth all the sorrows of the ages. "Yes, it s red," she said resignedly. "Now you see why I can t be perfectly happy. Nobody could who has red hair. I don t mind the other things so much--the freckles and the green eyes and my skinniness. I can imagine them away. I can imagine that I have a beautiful rose-leaf complexion and lovely starry violet eyes. But I CANNOT imagine that red hair away. I do my best. I think to myself, `Now my hair is a glorious black, black as the raven s wing. But all the time I KNOW it is just plain red and it breaks my heart. It will be my lifelong sorrow. I read of a girl once in a novel who had a lifelong sorrow but it wasn t red hair. Her hair was pure gold rippling back from her alabaster brow. What is an alabaster brow? I never could find out. Can you tell me?" "Well now, I m afraid I can t," said Matthew, who was getting a little dizzy. He felt as he had once felt in his rash youth when another boy had enticed him on the merry-go- round at a picnic. "Well, whatever it was it must have been something nice because she was divinely beautiful. Have you ever imagined what it must feel like to be divinely beautiful?" "Well now, no, I haven t," confessed Matthew ingenuously. "I have, often. Which would you rather be if you had the choice--divinely beautiful or dazzlingly clever or angelically good?" "Well now, I--I don t know exactly." "Neither do I. I can never decide. But it doesn t make much real difference for it isn t likely I ll ever be either. It s certain I ll never be angelically good. Mrs. Spencer says--oh, Mr. Cuthbert! Oh, Mr. Cuthbert!! Oh, Mr. Cuthbert!!!" That was not what Mrs. Spencer had said; neither had the child tumbled out of the buggy nor had Matthew done anything astonishing. They had simply rounded a curve in the road and found themselves in the "Avenue." The "Avenue," so called by the Newbridge people, was a stretch of road four or five hundred yards long, completely arched over with huge, wide-spreading apple-trees, planted years ago by an eccentric old farmer. Overhead was one long canopy of snowy fragrant bloom. Below the boughs the air was full of a purple twilight and far ahead a glimpse of painted sunset sky shone like a great rose window at the end of a cathedral aisle. Its beauty seemed to strike the child dumb. She leaned back in the buggy, her thin hands clasped before her, her face lifted rapturously to the white splendor above. Even when they had passed out and were driving down the long slope to Newbridge she never moved or spoke. Still with rapt face she gazed afar into the sunset west, with eyes that saw visions trooping splendidly across that glowing background. Through Newbridge, a bustling little village where dogs barked at them and small boys hooted and curious faces peered from the windows, they drove, still in silence. When three more miles had dropped away behind them the child had not spoken. She could keep silence, it was evident, as energetically as she could talk. "I guess you re feeling pretty tired and hungry," Matthew ventured to say at last, accounting for her long visitation of dumbness with the only reason he could think of. "But we haven t very far to go now--only another mile." She came out of her reverie with a deep sigh and looked at him with the dreamy gaze of a soul that had been wondering afar, star-led. "Oh, Mr. Cuthbert," she whispered, "that place we came through--that white place--what was it?" "Well now, you must mean the Avenue," said Matthew after a few moments profound reflection. "It is a kind of pretty place." "Pretty? Oh, PRETTY doesn t seem the right word to use. Nor beautiful, either. They don t go far enough. Oh, it was wonderful--wonderful. It s the first thing I ever saw that couldn t be improved upon by imagination. It just satisfies me here"--she put one hand on her breast--"it made a queer funny ache and yet it was a pleasant ache. Did you ever have an ache like that, Mr. Cuthbert?" "Well now, I just can t recollect that I ever had." "I have it lots of time--whenever I see anything royally beautiful. But they shouldn t call that lovely place the Avenue. There is no meaning in a name like that. They should call it--let me see--the White Way of Delight. Isn t that a nice imaginative name? When I don t like the name of a place or a person I always imagine a new one and always think of them so. There was a girl at the asylum whose name was Hepzibah Jenkins, but I always imagined her as Rosalia DeVere. Other people may call that place the Avenue, but I shall always call it the White Way of Delight. Have we really only another mile to go before we get home? I m glad and I m sorry. I m sorry because this drive has been so pleasant and I m always sorry when pleasant things end. Something still pleasanter may come after, but you can never be sure. And it s so often the case that it isn t pleasanter. That has been my experience anyhow. But I m glad to think of getting home. You see, I ve never had a real home since I can remember. It gives me that pleasant ache again just to think of coming to a really truly home. Oh, isn t that pretty!" They had driven over the crest of a hill. Below them was a pond, looking almost like a river so long and winding was it. A bridge spanned it midway and from there to its lower end, where an amber-hued belt of sand-hills shut it in from the dark blue gulf beyond, the water was a glory of many shifting hues--the most spiritual shadings of crocus and rose and ethereal green, with other elusive tintings for which no name has ever been found. Above the bridge the pond ran up into fringing groves of fir and maple and lay all darkly translucent in their wavering shadows. Here and there a wild plum leaned out from the bank like a white-clad girl tip-toeing to her own reflection. From the marsh at the head of the pond came the clear, mournfully-sweet chorus of the frogs. There was a little gray house peering around a white apple orchard on a slope beyond and, although it was not yet quite dark, a light was shining from one of its windows. "That s Barry s pond," said Matthew. "Oh, I don t like that name, either. I shall call it--let me see--the Lake of Shining Waters. Yes, that is the right name for it. I know because of the thrill. When I hit on a name that suits exactly it gives me a thrill. Do things ever give you a thrill?" Matthew ruminated. "Well now, yes. It always kind of gives me a thrill to see them ugly white grubs that spade up in the cucumber beds. I hate the look of them." "Oh, I don t think that can be exactly the same kind of a thrill. Do you think it can? There doesn t seem to be much connection between grubs and lakes of shining waters, does there? But why do other people call it Barry s pond?" "I reckon because Mr. Barry lives up there in that house. Orchard Slope s the name of his place. If it wasn t for that big bush behind it you could see Green Gables from here. But we have to go over the bridge and round by the road, so it s near half a mile further." "Has Mr. Barry any little girls? Well, not so very little either--about my size." "He s got one about eleven. Her name is Diana." "Oh!" with a long indrawing of breath. "What a perfectly lovely name!" "Well now, I dunno. There s something dreadful heathenish about it, seems to me. I d ruther Jane or Mary or some sensible name like that. But when Diana was born there was a schoolmaster boarding there and they gave him the naming of her and he called her Diana." "I wish there had been a schoolmaster like that around when I was born, then. Oh, here we are at the bridge. I m going to shut my eyes tight. I m always afraid going over bridges. I can t help imagining that perhaps just as we get to the middle, they ll crumple up like a jack-knife and nip us. So I shut my eyes. But I always have to open them for all when I think we re getting near the middle. Because, you see, if the bridge DID crumple up I d want to SEE it crumple. What a jolly rumble it makes! I always like the rumble part of it. Isn t it splendid there are so many things to like in this world? There we re over. Now I ll look back. Good night, dear Lake of Shining Waters. I always say good night to the things I love, just as I would to people. I think they like it. That water looks as if it was smiling at me." When they had driven up the further hill and around a corner Matthew said "We re pretty near home now. That s Green Gables over--" "Oh, don t tell me," she interrupted breathlessly, catching at his partially raised arm and shutting her eyes that she might not see his gesture. "Let me guess. I m sure I ll guess right." She opened her eyes and looked about her. They were on the crest of a hill. The sun had set some time since, but the landscape was still clear in the mellow afterlight. To the west a dark church spire rose up against a marigold sky. Below was a little valley and beyond a long, gently-rising slope with snug farmsteads scattered along it. From one to another the child s eyes darted, eager and wistful. At last they lingered on one away to the left, far back from the road, dimly white with blossoming trees in the twilight of the surrounding woods. Over it, in the stainless southwest sky, a great crystal-white star was shining like a lamp of guidance and promise. "That s it, isn t it?" she said, pointing. Matthew slapped the reins on the sorrel s back delightedly. "Well now, you ve guessed it! But I reckon Mrs. Spencer described it so s you could tell." "No, she didn t--really she didn t. All she said might just as well have been about most of those other places. I hadn t any real idea what it looked like. But just as soon as I saw it I felt it was home. Oh, it seems as if I must be in a dream. Do you know, my arm must be black and blue from the elbow up, for I ve pinched myself so many times today. Every little while a horrible sickening feeling would come over me and I d be so afraid it was all a dream. Then I d pinch myself to see if it was real--until suddenly I remembered that even supposing it was only a dream I d better go on dreaming as long as I could; so I stopped pinching. But it IS real and we re nearly home." With a sigh of rapture she relapsed into silence. Matthew stirred uneasily. He felt glad that it would be Marilla and not he who would have to tell this waif of the world that the home she longed for was not to be hers after all. They drove over Lynde s Hollow, where it was already quite dark, but not so dark that Mrs. Rachel could not see them from her window vantage, and up the hill and into the long lane of Green Gables. By the time they arrived at the house Matthew was shrinking from the approaching revelation with an energy he did not understand. It was not of Marilla or himself he was thinking of the trouble this mistake was probably going to make for them, but of the child s disappointment. When he thought of that rapt light being quenched in her eyes he had an uncomfortable feeling that he was going to assist at murdering something--much the same feeling that came over him when he had to kill a lamb or calf or any other innocent little creature. The yard was quite dark as they turned into it and the poplar leaves were rustling silkily all round it. "Listen to the trees talking in their sleep," she whispered, as he lifted her to the ground. "What nice dreams they must have!" Then, holding tightly to the carpet-bag which contained "all her worldly goods," she followed him into the house. CHAPTER I UP CHAPTER III 今日 - | 昨日 - | Total - since 04 June 2007 last update 2007-06-05 01 32 53 (Tue)
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Tudeの特別アバター。言うなれば女体化Tude。要課金。 使用する武器とスキルツリーはTudeとまったく同じだが、通常攻撃およびスキルのモーションが違う。（一部は同じ） 同じといえば同じ、違うといえば違うキャラ。無精髭より生足が好きな人はどうぞ。 チャイナ服っぽいが、真横から見るとほとんど布が無い。課金コスチュームに至っては…… よく見ると瞳が星型をしている。 ストーリー No one knows exactly what brought this mysterious young lady all the way to Bramunez, nor do they dare ask her about the power that resides in her left arm. She's shy around the townsfolk but once she gets into Curtis Castle her fists and feet speak volumes. Her lightning fast techniques and the power of her mystic arm will ensure that Vlad's minions learn to fear the name Meilin Chen. 「このミステリアスな若い女性がどうしてBramunezに来たのかを知る者はおらず、彼女の左腕を纏う力について尋ねる勇気を持つ者もいない。彼女は町の人々に対してはとてもシャイだが、一度Curtis Castleに入ればその拳と脚は大きな唸りを上げる。彼女の電光石火の動作と神秘の力を持つ腕は、Vladの手下達にMeilin Chenの名を畏怖と共に広めることになるだろう」 武器 アクション Tudeのものと同じ。